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kleine Venedig vista dall'Untere Brücke. Il primo edificio sulla destra è l'ex-macello.https://linea20.blog/wp-content/uploads/2019/10/9a7f59a4-3b19-4d88-b67e-1b31f6fdea8c.jpegLa klein Venedig vista dall'Untere BrückeLa klein Venedig vista dall'Untere Brücke. L'edficio in primo piano sulla destra è l'ex-macello.https://linea20.blog/wp-content/uploads/2019/10/fc018bdd-38c3-41c4-8ca8-c0b8482f4bce.jpegFC018BDD-38C3-41C4-8CA8-C0B8482F4BCEhttps://linea20.blog/wp-content/uploads/2019/10/e6ccc628-9f80-4af1-b991-7b8c78383d36.jpegE6CCC628-9F80-4AF1-B991-7B8C78383D36https://linea20.blog/wp-content/uploads/2019/09/1024px-nuremberg_chronicles_-_bamberga.pngXilografia di Bamberga tratta dalla "Schedel'schen Weltchronik", le "Cronache di Norimberga"Xilografia di Bamberga tratta dalla "Schedel'schen Weltchronik", le "Cronache di Norimberga" (lat.: "Liber Chronicarum"), trattato di Hartmann Schedel stampato a Norimberga nel 1493 e tradotto in seguito anche in volgare.2020-04-25T16:32:32+00:00monthlyhttps://linea20.blog/2020/04/25/bergamo-e-la-resistenza-breve-viaggio-sui-luoghi-partigiani/https://linea20.blog/wp-content/uploads/2020/04/230a4f67-4af2-4f3c-8c3a-6be8182c3416-e1587583019923.jpg230a4f67-4af2-4f3c-8c3a-6be8182c34162020-04-25T08:58:02+00:00monthlyhttps://linea20.blog/2020/04/20/chiudi-gli-occhi/https://linea20.blog/wp-content/uploads/2020/04/waiting_by_the_window-e1587374231506.jpgwaiting_by_the_windowhttps://linea20.blog/wp-content/uploads/2020/04/r-window-courtyard-1024x576-1.jpgr-window-courtyard-1024x576-12020-04-20T09:19:25+00:00monthlyhttps://linea20.blog/2020/04/15/scuola-di-san-giovanni-evangelista/https://linea20.blog/wp-content/uploads/2020/04/la-scuola-dei-battuti-e1586900015683.jpgla-scuola-dei-battuti2020-04-14T21:34:27+00:00monthlyhttps://linea20.blog/2020/04/13/la-legge-del-signore-friendly-persuasion/https://linea20.blog/wp-content/uploads/2019/08/friendlypersuasion-01.jpgfriendlypersuasion-012020-04-12T17:19:54+00:00monthlyhttps://linea20.blog/2020/04/08/fare-la-spesa-ai-tempi-della-pandemia/https://linea20.blog/wp-content/uploads/2020/04/bags-4543999_960_720.jpgbags-4543999_960_7202020-04-08T08:32:15+00:00monthlyhttps://linea20.blog/2020/04/06/now-you-know-chopsticks-come-in-numerous-types/https://linea20.blog/wp-content/uploads/2019/04/img_4599.jpgimg_4599https://linea20.blog/wp-content/uploads/2019/12/img_4599.jpgimg_4599https://linea20.blog/wp-content/uploads/2019/12/img_4600.jpgimg_4600https://linea20.blog/wp-content/uploads/2019/12/img_4601.jpgimg_4601https://linea20.blog/wp-content/uploads/2019/12/img_4598.jpgimg_4598https://linea20.blog/wp-content/uploads/2019/12/img_4597.jpgimg_45972020-04-06T11:31:42+00:00monthlyhttps://linea20.blog/2020/04/03/jojo-rabbit/https://linea20.blog/wp-content/uploads/2020/04/jojorabbit.jpgjojorabbitTaika Waititi and Roman Griffin Davis in the film JOJO RABBIT. 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destituito"2020-04-03T17:05:09+00:00monthlyhttps://linea20.blog/2020/03/30/silhouette-by-man-ray-a-dadaist-dialogue-between-arts/https://linea20.blog/wp-content/uploads/2019/12/the-star-or-dancer-on-the-stage.jpgthe-star-or-dancer-on-the-stagehttps://linea20.blog/wp-content/uploads/2019/12/silhouette.jpgsilhouettehttps://linea20.blog/wp-content/uploads/2019/12/laprc3a8s-midi-dun-faune.jpgLaprès-midi-dun-faunehttps://linea20.blog/wp-content/uploads/2019/12/woa_image_1.jpgWOA_IMAGE_1https://linea20.blog/wp-content/uploads/2019/12/man-ray.-exposition-man-ray-loeuvre-photographique.jpgMan-Ray.-Exposition-Man-Ray-loeuvre-photographique2020-03-28T23:11:55+00:00monthlyhttps://linea20.blog/2020/02/28/perche-la-vittoria-di-parasite-come-miglior-film-agli-oscar-e-cosi-importante/https://linea20.blog/wp-content/uploads/2020/02/00-parasite-film-review-gq-october-101119-191914237-1574850893669.jpg00-parasite-film-review-gq-october-101119-191914237-15748508936692020-03-27T09:53:26+00:00monthlyhttps://linea20.blog/2020/03/27/gli-oscar-di-linea20-1917/https://linea20.blog/wp-content/uploads/2020/03/1917.png.jpeg1917.pnghttps://linea20.blog/wp-content/uploads/2020/03/5e448c9668af1.image_-1.jpg5e448c9668af1.imagehttps://linea20.blog/wp-content/uploads/2020/03/1917-film-stills-jan20-4universal-pictures-and-dreamworks-pictures.jpeg1917-film-stills-jan20-4universal-pictures-and-dreamworks-pictureshttps://linea20.blog/wp-content/uploads/2020/03/1917-top-625x352-1.png1917-top-625x352https://linea20.blog/wp-content/uploads/2020/03/1917.jpg1917https://linea20.blog/wp-content/uploads/2020/03/richard-1917.jpegRichard-19172020-03-26T21:11:58+00:00monthlyhttps://linea20.blog/2020/03/24/san-rocco/https://linea20.blog/wp-content/uploads/2020/03/san-rocco-dolo.jpgSan Rocco Dolohttps://linea20.blog/wp-content/uploads/2020/03/san_rocco.jpgsan_rocco2020-03-24T11:33:16+00:00monthlyhttps://linea20.blog/2020/03/18/la-veglia-notturna-di-un-giovane-iracheno/https://linea20.blog/wp-content/uploads/2020/03/il-mare-in-burrasca-l-onda-gustave-courbet.jpgIl-mare-in-burrasca-L-onda-Gustave-Courbethttps://linea20.blog/wp-content/uploads/2020/03/mareggiata.jpgmareggiata2020-03-21T13:05:25+00:00monthlyhttps://linea20.blog/2020/02/04/i-frari/https://linea20.blog/wp-content/uploads/2020/02/basilica_interno-1024x683-1-1-e1580810350840.jpgBasilica_interno-1024x683-12020-03-05T10:20:20+00:00monthlyhttps://linea20.blog/2020/02/07/joker/https://linea20.blog/wp-content/uploads/2020/02/joker-t6.jpegjoker t62020-03-05T10:19:49+00:00monthlyhttps://linea20.blog/2019/08/21/lancora-col-delfino/https://linea20.blog/wp-content/uploads/2019/08/9._aldine_96_frontespizio_esichio_finale_mostra_web.jpg9._aldine_96_frontespizio_esichio_finale_mostra_web2020-03-05T10:16:53+00:00monthlyhttps://linea20.blog/2019/08/30/venice-glass-week-iii-edizione/https://linea20.blog/wp-content/uploads/2019/08/180b9497-6178-46f0-b6f7-ee37c0b9295c.jpeg180B9497-6178-46F0-B6F7-EE37C0B9295Chttps://linea20.blog/wp-content/uploads/2019/08/7150b517-63f8-4651-9471-63df3bcdfc93.jpeg7150B517-63F8-4651-9471-63DF3BCDFC93https://linea20.blog/wp-content/uploads/2019/08/d9237dfa-930e-4bb3-9919-07889d86c705.jpegD9237DFA-930E-4BB3-9919-07889D86C705https://linea20.blog/wp-content/uploads/2019/08/09907c9d-9878-4351-ba8c-f5569fe6982b.jpeg09907C9D-9878-4351-BA8C-F5569FE6982Bhttps://linea20.blog/wp-content/uploads/2019/08/8916f747-ef5d-47d8-96cf-bbcce3f44868.png8916F747-EF5D-47D8-96CF-BBCCE3F448682020-03-05T10:16:15+00:00monthlyhttps://linea20.blog/2020/02/26/il-commesso-viaggiatore-di-miller-ai-giorni-nostri-il-sogno-e-morto-lillusione-rimane/https://linea20.blog/wp-content/uploads/2020/02/conn-viagg-sito-19-20-.jpgconn-viagg-sito-19-20-2020-03-27T10:37:11+00:00monthlyhttps://linea20.blog/2020/02/05/marriage-story/https://linea20.blog/wp-content/uploads/2020/02/marriagestory.0.jpgmarriagestory.02020-02-05T19:27:08+00:00monthlyhttps://linea20.blog/2020/01/22/i-goldbaum-natasha-solomons/https://linea20.blog/wp-content/uploads/2019/08/i20goldbaum2001.jpgi20goldbaum20012020-01-22T12:27:30+00:00monthlyhttps://linea20.blog/2020/01/15/la-chiesa-di-san-pantalon/2020-01-12T13:10:30+00:00monthlyhttps://linea20.blog/2018/03/08/lettera-al-mio-coetaneo-razzista-e-fascista/https://linea20.blog/wp-content/uploads/2018/03/razzismo.jpegRazzismo2019-12-29T16:22:27+00:00monthlyhttps://linea20.blog/2019/03/08/lettera-al-mio-coetaneo-razzista-e-fascista-parte-2-un-anno-e-ancora-nessuna-risposta/2019-12-29T16:21:45+00:00monthlyhttps://linea20.blog/2019/12/17/la-scuola-dei-carmini/https://linea20.blog/wp-content/uploads/2019/12/1095px-scapolare-tiepolo.jpg1095px-scapolare-tiepolo2019-12-18T11:12:37+00:00monthlyhttps://linea20.blog/2019/12/04/in-domo-foscari-le-elezioni/https://linea20.blog/wp-content/uploads/2019/12/6d88939e-d15f-4ac4-9a46-cf5c9d21f5c3.jpegPalazzo Ducale (Venice) - Porta della carta - Doge Francesco Foscari.Palazzo Ducale (Venice) - Porta della carta - Doge Francesco Foscari.2019-12-04T15:16:22+00:00monthlyhttps://linea20.blog/2019/12/02/into-the-miracle-of-nature-son-doong-the-worlds-largest-natural-cave/2019-12-02T11:46:38+00:00monthlyhttps://linea20.blog/2019/11/27/la-chiesa-dei-carmini/https://linea20.blog/wp-content/uploads/2019/11/carmini.jpgCarmini2019-11-27T14:51:56+00:00monthlyhttps://linea20.blog/2019/11/25/3-il-mezzo-di-circolazione-piu-pericoloso-del-mondo/https://linea20.blog/wp-content/uploads/2019/11/b31bfc26-097c-4bfb-8632-a4bf764e8dc4.jpegB31BFC26-097C-4BFB-8632-A4BF764E8DC4https://linea20.blog/wp-content/uploads/2019/11/3c63a024-73fd-4a43-b2c7-a075ee659269.jpeg3C63A024-73FD-4A43-B2C7-A075EE659269La mia bicicletta (confesso, sono colpevole) che è arrivata, ovviamente spinta a mano, quasi in cima all'Altenburg. 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Ebing (12 km 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monticelllo/Getty Images2019-10-27T16:06:34+00:00monthlyhttps://linea20.blog/2019/10/23/why-downton-abbey-doesnt-make-any-sense-but-we-still-love-it/https://linea20.blog/wp-content/uploads/2019/10/downton-abbey.jpgdownton abbey2019-10-23T11:53:47+00:00monthlyhttps://linea20.blog/2019/10/21/venetonight-incontro-con-la-lis-quando-il-gesto-evoca-la-parola/https://linea20.blog/wp-content/uploads/2019/10/lingua_segni.jpglingua_segnihttps://linea20.blog/wp-content/uploads/2019/10/gesto-mani.jpggesto-mani2019-10-21T07:18:02+00:00monthlyhttps://linea20.blog/2019/10/11/history-is-no-good-reason-history-historical-drama-tv-series-and-disney/https://linea20.blog/wp-content/uploads/2019/10/hollow-crown-532094-1-e1570784680330.jpgFonte della foto: https://cdn.images.express.co.uk/img/dynamic/20/590x/secondary/Hollow-Crown-532094.jpgFonte della foto: https://cdn.images.express.co.uk/img/dynamic/20/590x/secondary/Hollow-Crown-532094.jpghttps://linea20.blog/wp-content/uploads/2019/10/hollow-crown-532094.jpgHollow-Crown-5320942019-10-11T09:00:46+00:00monthlyhttps://linea20.blog/2019/09/30/0-e-la-banana/https://linea20.blog/wp-content/uploads/2019/09/img_2107-e1568630156979.jpegIMG_21072019-10-10T11:48:09+00:00monthlyhttps://linea20.blog/2019/10/09/a-lepanto-in-pantofole-parte-3/https://linea20.blog/wp-content/uploads/2019/10/batalla_de_lepanto_antonio_brugada.jpgThe naval battle of Lepanto between the Holy League and the Turks in 1571 (oil on canvas) 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Kapelle2019-08-21T06:15:22+00:00monthlyhttps://linea20.blog/2018/10/05/3-la-prima-gita-seljalandfoss-foss-paradisekellir/https://linea20.blog/wp-content/uploads/2018/10/20180801164543.jpg201808011645432019-08-19T22:24:32+00:00monthlyhttps://linea20.blog/2019/08/06/il-ducato-di-candia-e-la-venezia-doriente/https://linea20.blog/wp-content/uploads/2019/08/0.jpg2019-08-19T16:25:39+00:00monthlyhttps://linea20.blog/2019/08/14/il-vulcano-che-scrisse-frankenstein/https://linea20.blog/wp-content/uploads/2019/08/25cover1-superjumbo.jpg25COVER1-superJumbohttps://linea20.blog/wp-content/uploads/2019/08/mount_tambora_volcano_sumbawa_island_indonesia.jpgMount_Tambora_Volcano,_Sumbawa_Island,_Indonesia2019-08-14T06:48:01+00:00monthlyhttps://linea20.blog/2019/07/22/10015/https://linea20.blog/wp-content/uploads/2019/07/a406711c-943e-4bdc-b92a-dec70212bd10.jpegA406711C-943E-4BDC-B92A-DEC70212BD102019-07-22T07:09:04+00:00monthlyhttps://linea20.blog/2019/07/17/i-foresti-a-venezia/https://linea20.blog/wp-content/uploads/2019/07/27592d46-0dd6-4a79-9143-1551a7e4f970.jpegFondaco dei TedeschiFondaco dei Tedeschi2019-07-17T08:34:40+00:00monthlyhttps://linea20.blog/2019/07/10/falung-gong-e-pcc-il-secolare-a-ripresa-del-sacro/https://linea20.blog/wp-content/uploads/2019/07/falungong.jpgfalungong2019-07-08T09:37:41+00:00monthlyhttps://linea20.blog/2019/07/05/hiroshige-al-museo-darte-orientale-di-venezia/https://linea20.blog/wp-content/uploads/2019/07/twobrushes_05_hodogaya-e1562083087205.jpgtwobrushes_05_hodogayahttps://linea20.blog/wp-content/uploads/2019/07/hiroshige11_hakone.jpghiroshige11_hakone2019-07-06T10:21:04+00:00monthlyhttps://linea20.blog/2017/07/04/luomo-che-diede-il-nome-al-monte-everest/https://linea20.blog/wp-content/uploads/2017/07/george-everest.pngGeorge-Everest2019-07-02T16:48:14+00:00monthlyhttps://linea20.blog/2019/07/03/le-honorate-veneziane/https://linea20.blog/wp-content/uploads/2019/06/tintoretto-dana.jpgTintoretto-Dana2019-07-02T15:18:20+00:00monthlyhttps://linea20.blog/2018/04/20/humans-of-venice-40/https://linea20.blog/wp-content/uploads/2018/04/whatsapp-image-2018-04-19-at-22-47-39-e1524172297471.jpegLuca Mamprin2019-07-02T14:09:32+00:00monthlyhttps://linea20.blog/2018/03/29/aspettando-il-ve-meu/https://linea20.blog/wp-content/uploads/2018/03/vemeu-2018.jpgVeMEU-20182019-07-02T14:09:26+00:00monthlyhttps://linea20.blog/2018/04/19/ca-roman-unoasi-naturale-nella-laguna-veneta/https://linea20.blog/wp-content/uploads/2018/04/330d60d5-e6af-4c4b-b7a9-57c1464269a2.jpgCa' Romanhttps://linea20.blog/wp-content/uploads/2018/04/img_8354.jpgCa' Romanhttps://linea20.blog/wp-content/uploads/2018/04/0c8babda-79fc-4b44-afe6-b505bccb8e07.jpgCa' Roman2019-07-02T14:09:20+00:00monthlyhttps://linea20.blog/2014/11/06/se-io-fernando-pessoa-un-venerdi-qualsiasi-a-venezia-giudecca/https://linea20.blog/wp-content/uploads/2014/11/1015864_10202978109476906_6253587289321150314_o.jpg1015864_10202978109476906_6253587289321150314_o2019-07-02T14:07:50+00:00monthlyhttps://linea20.blog/2017/10/16/a-corner-with-a-view/https://linea20.blog/wp-content/uploads/2017/10/img_9833-2.jpgFoto di Rachele S. Bassan2019-07-02T14:07:44+00:00monthlyhttps://linea20.blog/2018/02/26/cose-leducazione-internazionale-e-perche-dovrebbe-importarcene/https://linea20.blog/wp-content/uploads/2018/02/mexican-american-education.jpgCarlos Galindo protests outside the Arizona Department of Education in Phoenix in 2011. (Matt York / Associated Press)2019-07-02T14:07:39+00:00monthlyhttps://linea20.blog/2018/08/01/the-harshness-of-science/https://linea20.blog/wp-content/uploads/2018/08/20180315_153507.jpgMarcia delle madri di Plaza de Mayo, Buenos Aires, Argentina (15 marzo 2018).Ogni giovedì, da 40 anni, le Madres si riuniscono in piazza e protestano al fine di ottenere la restituzione dei loro figli desaparecidos, arrestati e detenuti illegalmente durante la dittatura militare del 1976. Foto di Alessia Maselli.2019-07-02T14:07:32+00:00monthlyhttps://linea20.blog/2018/12/13/i-terremoti-nellera-del-digitale/https://linea20.blog/wp-content/uploads/2018/12/image.pngimage2019-07-02T14:06:06+00:00monthlyhttps://linea20.blog/2019/03/07/digital-vs-humanities-ii-dr-athanasopoulos-panagiotis/2019-07-02T14:05:58+00:00monthlyhttps://linea20.blog/2018/06/01/a-spasso-per-bangkok/https://linea20.blog/wp-content/uploads/2018/05/bangkok5.jpgBangkok5https://linea20.blog/wp-content/uploads/2018/05/bangkok4.jpgBangkok4https://linea20.blog/wp-content/uploads/2018/05/bangkok3.jpgBangkok3https://linea20.blog/wp-content/uploads/2018/05/bangkok2.jpgBangkok2https://linea20.blog/wp-content/uploads/2018/05/bangkok1.jpgBangkok12019-07-02T14:05:23+00:00monthlyhttps://linea20.blog/2019/02/26/pax-tibi-marce/https://linea20.blog/wp-content/uploads/2019/02/bellini_processione.jpgBellini_Processione2019-07-02T14:02:14+00:00monthlyhttps://linea20.blog/2019/03/20/la-prima-fabbrica-deuropa/https://linea20.blog/wp-content/uploads/2019/03/img_04.jpghttps://www.comune.venezia.it/it/arsenaledivenezia2019-07-02T14:02:04+00:00monthlyhttps://linea20.blog/2017/11/20/bluemonday/https://linea20.blog/wp-content/uploads/2017/11/8de33-azzurrofiordaliso.jpg8de33-azzurrofiordalisohttps://linea20.blog/wp-content/uploads/2017/11/egiziano.jpgegizianohttps://linea20.blog/wp-content/uploads/2017/11/egiz.jpgegizhttps://linea20.blog/wp-content/uploads/2017/11/indaco.jpgindacohttps://linea20.blog/wp-content/uploads/2017/11/ikb.pngikbhttps://linea20.blog/wp-content/uploads/2017/11/oltremare1.jpgoltremarehttps://linea20.blog/wp-content/uploads/2017/11/oltremare.jpgoltremarehttps://linea20.blog/wp-content/uploads/2017/11/img_0047.jpgIMG_00472019-07-02T13:58:56+00:00monthlyhttps://linea20.blog/2017/12/20/on-wednesdays-we-wear-pink/https://linea20.blog/wp-content/uploads/2017/12/rosa-ovattato1.jpgrosa-ovattatohttps://linea20.blog/wp-content/uploads/2017/12/rosa-barbapapa1.jpgRosa-Barbapapahttps://linea20.blog/wp-content/uploads/2017/12/lavanda-rosata.jpglavanda-rosatahttps://linea20.blog/wp-content/uploads/2017/12/pink-wednesdays.jpgpink-wednesdayshttps://linea20.blog/wp-content/uploads/2017/12/whatsapp-image-2017-12-04-at-17-31-21-1.jpegWhatsApp Image 2017-12-04 at 17.31.21 (1)https://linea20.blog/wp-content/uploads/2017/12/whatsapp-image-2017-12-04-at-17-30-48.jpegWhatsApp Image 2017-12-04 at 17.30.482019-07-02T13:58:35+00:00monthlyhttps://linea20.blog/2018/01/15/greenday/https://linea20.blog/wp-content/uploads/2018/01/ral-6038-e1515963642167.pngral-6038https://linea20.blog/wp-content/uploads/2018/01/whatsapp-image-2018-01-14-at-21-53-17-1.jpegWhatsApp Image 2018-01-14 at 21.53.17 (1)https://linea20.blog/wp-content/uploads/2018/01/whatsapp-image-2018-01-14-at-21-52-39.jpegWhatsApp Image 2018-01-14 at 21.52.39https://linea20.blog/wp-content/uploads/2018/01/whatsapp-image-2018-01-14-at-21-48-33.jpegWhatsApp Image 2018-01-14 at 21.48.33https://linea20.blog/wp-content/uploads/2018/01/germany-2494819_960_7201.jpggermany-2494819_960_720https://linea20.blog/wp-content/uploads/2018/01/d-c-fix-dc-fix-h45-standard-verde-prato-opaco-2001728-e1515960201319.jpgd-c-fix-dc-fix-h45-standard-verde-prato-opaco-2001728https://linea20.blog/wp-content/uploads/2018/01/d9-6.jpgD9-6https://linea20.blog/wp-content/uploads/2018/01/germany-2494819_960_720.jpggermany-2494819_960_720https://linea20.blog/wp-content/uploads/2018/01/9c9375e7-6083-44db-ae1c-082c65e4628e-e1515947131173.png9c9375e7-6083-44db-ae1c-082c65e4628ehttps://linea20.blog/wp-content/uploads/2018/01/3630-196-principale-e1515946193338.jpg3630-196 Principale2019-07-02T13:58:29+00:00monthlyhttps://linea20.blog/2018/02/14/mybloodyvalentine/https://linea20.blog/wp-content/uploads/2018/02/rosso-fuoco.jpgrosso-fuocohttps://linea20.blog/wp-content/uploads/2018/02/solid-red-orange-echino-laminate-canvas-fabric-199893-1.jpgsolid-red-orange-echino-laminate-canvas-fabric-199893-1https://linea20.blog/wp-content/uploads/2018/02/d3d_default_rosso_pompei.jpgd3d_default_rosso_pompeihttps://linea20.blog/wp-content/uploads/2018/02/pulp_fiction_girl_mia_wallace_uma_thurman_pistol_smoke_cigarette_3533_3840x2160-e1518601397950.jpghttps://linea20.blog/wp-content/uploads/2018/02/db4qbrbigvophynyxx5z-e1518600263342.jpghttps://linea20.blog/wp-content/uploads/2018/02/01-pantone-sangria.jpg01-pantone-sangria2019-07-02T13:58:21+00:00monthlyhttps://linea20.blog/2017/11/13/welcome-to-long-beach-california/https://linea20.blog/wp-content/uploads/2017/10/img_0548.jpgYosemite National Park,CA. (ph Riccardo Bertolo)https://linea20.blog/wp-content/uploads/2017/10/img_0552.jpgHorseshoe Bend, AZ. (ph Riccardo Bertolo)https://linea20.blog/wp-content/uploads/2017/10/img_0551.jpgSunset in Malibu, CA. (ph Riccardo Bertolo)https://linea20.blog/wp-content/uploads/2017/10/img_0550.jpgSunset in Santa Monica, CA. (ph Riccardo Bertolo) Sunset in Santa Monica,CA.(ph Riccardo Bertolo)https://linea20.blog/wp-content/uploads/2017/10/img_0549.jpgBig Sur, CA. (ph. Riccardo Bertolo) Big Sur, CA. (ph. 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wimdu2019-07-02T13:50:02+00:00monthlyhttps://linea20.blog/2016/12/07/note-dal-fronte-orientale-2/https://linea20.blog/wp-content/uploads/2016/12/israeli-soldiers-break.jpgisraeli-soldiers-breakPhoto credit: Gil Cohen Magen, AFP, Getty Images2019-07-02T13:49:56+00:00monthlyhttps://linea20.blog/2016/12/14/note-dal-fronte-orientale-3/https://linea20.blog/wp-content/uploads/2016/12/the-court-yard-in-the-nachlaot-neighborhood-of-jerusalem.jpgArtwork by Alex Levin, Israel.Artwork by Alex 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carcere mi ha liberato 12018-10-29T18:51:51+00:00monthlyhttps://linea20.blog/2018/10/29/tirare-le-fila/https://linea20.blog/wp-content/uploads/2018/10/e892c7c4-8997-44f7-8e82-68222b31d408.jpegE892C7C4-8997-44F7-8E82-68222B31D408https://linea20.blog/wp-content/uploads/2018/10/0333dc6b-d76e-4d72-9eef-f61e17d07250.jpeg0333DC6B-D76E-4D72-9EEF-F61E17D07250https://linea20.blog/wp-content/uploads/2018/10/6a101571-6173-4bcb-9431-e66c960e5dcf.jpeg6A101571-6173-4BCB-9431-E66C960E5DCFhttps://linea20.blog/wp-content/uploads/2018/10/99c49908-7fff-4a46-b8f4-09adc414d195.jpeg99C49908-7FFF-4A46-B8F4-09ADC414D195https://linea20.blog/wp-content/uploads/2018/10/6d13691b-789f-4b04-a575-693ea2c42da4.jpeg6D13691B-789F-4B04-A575-693EA2C42DA4https://linea20.blog/wp-content/uploads/2018/10/a828c9be-e82c-455c-ba21-9bb10f22b4ab.jpegA828C9BE-E82C-455C-BA21-9BB10F22B4ABhttps://linea20.blog/wp-content/uploads/2018/10/27087b5a-8f49-4941-b8ed-588522dc5065.jpeg27087B5A-8F49-4941-B8ED-588522DC50652018-10-29T18:44:49+00:00monthlyhttps://linea20.blog/2018/10/10/muoiono-gli-ulivi-in-salento/https://linea20.blog/wp-content/uploads/2018/10/dsc_0754.jpgDSC_07542018-10-25T16:14:27+00:00monthlyhttps://linea20.blog/2018/09/24/la-profezia-dellarmadillo/https://linea20.blog/wp-content/uploads/2018/09/dedd6929a967cf3948f93b276e5c15ad1535116346-850w.jpgdedd6929a967cf3948f93b276e5c15ad1535116346-850w2018-10-25T16:13:08+00:00monthlyhttps://linea20.blog/2018/10/01/o-castelo-da-lousa/2018-09-30T18:25:01+00:00monthlyhttps://linea20.blog/2018/09/26/la-lettura-per-sommi-capi-e-la-nuova-norma-leffetto-sulla-societa-e-profondo/2018-09-26T05:50:22+00:00monthlyhttps://linea20.blog/2017/07/25/breve-storia-del-ponte-dellaccademia/2018-07-23T09:57:45+00:00monthlyhttps://linea20.blog/2018/04/12/breve-storia-del-ponte-degli-scalzi/https://linea20.blog/wp-content/uploads/2018/03/whatsapp-image-2018-03-25-at-00-34-56.jpegWhatsApp Image 2018-03-25 at 00.34.562018-07-23T09:56:14+00:00monthlyhttps://linea20.blog/2017/06/14/breve-storia-del-ponte-di-rialto/https://linea20.blog/wp-content/uploads/2017/06/rialto_ema.jpgRialto_Emahttps://linea20.blog/wp-content/uploads/2017/06/progetto_rialto_palladio.jpgProgetto_Rialto_Palladiohttps://linea20.blog/wp-content/uploads/2017/06/accademia_-_miracle_of_the_holy_cross_at_rialto_by_vittore_carpaccio.jpgAccademia_-_Miracle_of_the_Holy_Cross_at_Rialto_by_Vittore_Carpaccio2018-07-23T09:53:27+00:00monthlyhttps://linea20.blog/2017/11/07/il-dittatore-che-suonava-le-campane-stalin-a-san-lazzaro-fra-realta-e-finzione/https://linea20.blog/wp-content/uploads/2017/11/mechitar.jpgMechitarMiniatura di Mechitar, fondatore del monastero di San Lazzarohttps://linea20.blog/wp-content/uploads/2017/11/http-a-amz-mshcdn-com-wp-content-uploads-2016-03-stalin-14-e1510051658388.jpgStalinJosef Stalin nel 19022019-07-19T17:14:25+00:00monthlyhttps://linea20.blog/2017/08/04/a-venetian-story-the-butcher-of-venice/https://linea20.blog/wp-content/uploads/2017/07/riva-de-biasio-volto-e1499587146932.jpegRiva de Biasio voltohttps://linea20.blog/wp-content/uploads/2017/07/riva-de-biasio.jpegRiva de Biasiohttps://linea20.blog/wp-content/uploads/2017/07/san-giovanni-degolacc80.jpegSan Giovanni Degolà2018-07-23T09:26:49+00:00monthlyhttps://linea20.blog/2017/04/28/humans-of-venice-28/https://linea20.blog/wp-content/uploads/2017/04/whatsapp-image-2017-04-27-at-21-01-44-e1493320343883.jpegWhatsApp Image 2017-04-27 at 21.01.442018-07-23T09:03:24+00:00monthlyhttps://linea20.blog/2017/03/31/humans-of-venice-25/https://linea20.blog/wp-content/uploads/2017/03/humans-fai.jpgHumans-FAI2018-07-23T08:59:31+00:00monthlyhttps://linea20.blog/2018/05/28/arcobaleno-pink-floyd-time/https://linea20.blog/wp-content/uploads/2018/05/pink-floyd.jpgPink Floyd2018-06-06T20:35:02+00:00monthlyhttps://linea20.blog/2018/06/06/eruzione-del-vulcano-fuego-in-guatemala-il-meccanismo-di-autodifesa-della-madre-tierra/https://linea20.blog/wp-content/uploads/2018/06/image1.jpegimage12018-06-06T13:12:13+00:00monthlyhttps://linea20.blog/2018/05/30/lalgoritmo-del-vaporetto/https://linea20.blog/wp-content/uploads/2018/05/vaporetti-a-venezia.jpgvaporetti-a-venezia2018-05-30T13:08:56+00:00monthlyhttps://linea20.blog/2018/05/25/il-dodicesimo-viaggio-john-ruskin-le-pietre-di-venezia-a-palazzo-ducale/https://linea20.blog/wp-content/uploads/2018/05/ruskin28790f6e-d264-445f-94ff-4a33c5fb8510.pngruskin28790f6e-d264-445f-94ff-4a33c5fb85102018-05-24T21:17:59+00:00monthlyhttps://linea20.blog/2017/12/05/parigi-non-e-di-questo-secolo/https://linea20.blog/wp-content/uploads/2017/12/parigi-place-pigalle-anni50.jpgParigi-Place-Pigalle-anni50-Place Pigalle, Parigi, anni '50https://linea20.blog/wp-content/uploads/2017/12/ombrelli-gialli.jpgThomas Hoepker (1936) Japan, Kyoto. School children with umbrellas visiting a temple in the Kiyomizu hills (1977)Thomas Hoepker (1936) Japan, Kyoto. School children with umbrellas visiting a temple in the Kiyomizu hills (1977)2018-05-17T13:55:45+00:00monthlyhttps://linea20.blog/2018/05/16/majorana-nessuno-centomila/https://linea20.blog/wp-content/uploads/2018/05/majorana.jpgMajorana2023-08-13T12:38:01+00:00monthlyhttps://linea20.blog/2018/05/02/gianfranco-reverberi-racconta-3-la-nascita-del-rock-n-roll-italiano/https://linea20.blog/wp-content/uploads/2018/04/whatsapp-image-2018-04-23-at-19-42-19-3.jpegTenco e Reverberi in studiohttps://linea20.blog/wp-content/uploads/2018/04/whatsapp-image-2018-04-23-at-19-42-19-1.jpegEnzo Jannacci, Paolo Tomelleri, Gianfranco Reverberi, Nando De Lucahttps://linea20.blog/wp-content/uploads/2018/04/whatsapp-image-2018-04-23-at-19-42-19-2.jpegWhatsApp Image 2018-04-23 at 19.42.19 (2)2018-05-06T20:09:06+00:00monthlyhttps://linea20.blog/2018/04/27/a-european-civic-engagement-startup-talos/https://linea20.blog/wp-content/uploads/2018/04/talos.jpegTalos2018-05-01T13:05:39+00:00monthlyhttps://linea20.blog/2018/02/22/non-uccidete-la-vostra-lingua/https://linea20.blog/wp-content/uploads/2018/02/dontkillyourlanguage.jpgdontkillyourlanguage2018-04-28T15:04:31+00:00monthlyhttps://linea20.blog/2018/04/26/perche-andare-a-vedere-bob-dylan-nel-2018/2018-04-26T09:07:06+00:00monthlyhttps://linea20.blog/2018/04/25/gianfranco-reverberi-racconta-2-le-origini-del-cantautorato-genovese/https://linea20.blog/wp-content/uploads/2018/04/reverberi2.jpgreverberi22018-04-25T16:07:29+00:00monthlyhttps://linea20.blog/2018/04/24/non-possiamo-signore-e-cultura/https://linea20.blog/wp-content/uploads/2018/04/tumblr_ov16zd5gh71rvnmkxo8_1280.pngtumblr_ov16zd5gh71rvnmkxo8_12802018-04-24T10:56:38+00:00monthlyhttps://linea20.blog/2018/04/18/gianfranco-reverberi-racconta-1-uninfanzia-al-museo/https://linea20.blog/wp-content/uploads/2018/04/museo_civico_di_storia_naturale_di_genova_particolare-e1524044932951.jpgMuseo_civico_di_storia_naturale_di_Genova_(particolare)2018-04-18T09:54:36+00:00monthlyhttps://linea20.blog/2018/04/17/28-lultimo-drago/https://linea20.blog/wp-content/uploads/2018/04/paolo_uccello_047b-e1523879670712.jpgPaolo Uccello (1397-1475), "San Giorgio e il Drago" (ca. 1456), National Gallery, LondraPaolo Uccello (1397-1475), "San Giorgio e il Drago" (ca. 1456), National Gallery, Londra2018-04-18T02:49:52+00:00monthlyhttps://linea20.blog/2017/10/31/24-the-witching-time-of-night/https://linea20.blog/wp-content/uploads/2017/10/img_1151.jpgArchip Ivanovič Kuindži (1842-1910), "Notte sul fiume Dnepr", 1882 - particolare2018-04-14T15:00:24+00:00monthlyhttps://linea20.blog/2018/04/04/auuuycuac-cuac-hipa-upa-ad-honorem-hombre-1972-2016-lincomprensione-come-chiave-di-lettura/https://linea20.blog/wp-content/uploads/2018/04/ad-honorem-hombre.jpgad Honorem Hombrehttps://linea20.blog/wp-content/uploads/2018/04/fullsizerender.jpgFullSizeRender2018-04-14T04:05:12+00:00monthlyhttps://linea20.blog/2018/04/10/perdita-della-prima-lingua-ecco-come-riscoprire-la-propria-voce/2018-04-14T04:05:05+00:00monthlyhttps://linea20.blog/2018/04/13/humans-of-venice-39/https://linea20.blog/wp-content/uploads/2018/04/29541127_2173323426230257_9098373771918048144_n.jpg29541127_2173323426230257_9098373771918048144_nhttps://linea20.blog/wp-content/uploads/2018/04/29512666_2175404266022173_837170516297184629_n.jpg29512666_2175404266022173_837170516297184629_nhttps://linea20.blog/wp-content/uploads/2018/04/30124866_2180828202146446_3009482919100822096_n.jpg30124866_2180828202146446_3009482919100822096_n2018-04-14T04:04:55+00:00monthlyhttps://linea20.blog/2018/04/11/il-fascino-discreto-delle-plattenbauten/https://linea20.blog/wp-content/uploads/2018/04/plattenbauten-berlino.jpgPlattenbauten-Berlino2018-04-11T17:24:08+00:00monthlyhttps://linea20.blog/2016/03/15/1-sulle-sponde-dell-erie/https://linea20.blog/wp-content/uploads/2016/03/charles_courtney_curran_-_lotus_lilies2.jpgLotus Lilies (1888), particolareCharles Courtney Curran (1861-1942) "Lotus Lilies" (particolare), 1888 Il soggetto era caro al pittore anche perché la moglie aveva avuto un bouquet di queste piante al loro matrimonio, poco tempo prima. Non a caso è qui ritratta con un mazzo di loti in grembo.https://linea20.blog/wp-content/uploads/2016/03/abbott_jump20jump.jpgJump, jump! (1852)Jacob Abbott, "Jump, jump!", 1852, Albany Institute of History & Art Library, SpC 917.47_ABB_MAR_1852_Special Collections_439 Le chiatte venivano impiegate anche per il trasporto passeggeri, che venivano sistemati sul tetto dell'imbarcazione. Quando un ponte era particolarmente basso, questi si dovevano chinare. Da qui il verso della canzone "Low bridge, everybody down"https://linea20.blog/wp-content/uploads/2016/03/process-of-excavation_lockport.jpgProcess of the excavation of a lockport"Process of excavation of a lockport - Presentation by the City of New York to James Beekman, Esq." - Albany Institute of History & Art Library, SpC, 386.48, COL MEM Per la costruzione del canale vennero impiegati cavalli, muli, carri e carriole. Non solo: gli immigrati e chi viveva lungo la zona venne pagato per contribuire agli scavi. Quando le troppe morti per malattie contratte negli acquitrini minacciarono la riuscita del progetto, si cercò nuova manodopera con avvisi sui giornali di New York. La costruzione richiese anche l'invenzione di strumenti specifici per quest'impresa. Montagne e colline che si trovassero lungo il percorso vennero fatte saltare in aria.https://linea20.blog/wp-content/uploads/2016/03/charles_courtney_curran_-_lotus_lilies1.jpgCharles_Courtney_Curran_-_Lotus_LiliesCharles Courtney Curran (1861-1942) "Lotus Lilies", 1888 Curran dipingeva con una tecnica impressionista: le pennellate non mirano a restituire la materia, quanto la luce e il colore. I colori dominanti sono piuttosto limitati, ma questo permette di enfatizzare la calma della scena: il verde del parasole riprende quello delle foglie così come il tono dell'abito della moglie di Curran riprende quello della barca; il bianco del fiocco di questa e quello dell'abito di sua cugina riprendono il colore dei fiori e quello del cielo sullo sfondo, in un misurato bilanciamento. La luce così diffusa produce un risultato di totale immersione nella flora.https://linea20.blog/wp-content/uploads/2016/03/charles_courtney_curran_-_lotus_lilies.jpgLotus Lilies (1888), particolareCharles Courtney Curran (1861-1942) "Lotus Lilies" (particolare), 18882018-04-09T09:47:38+00:00monthlyhttps://linea20.blog/2016/04/05/2-catullo-perde-la-testa/https://linea20.blog/wp-content/uploads/2016/03/016_johan-van-der-keuken_theredlist.jpgIvonne 2 (1956)Johan Van Der Keuken "Ivonne 2" - 1956 LI. Ille mi par esse deo videtur, ille, si fas est, superare divos, qui sedens adversus identidem te spectat et audit dulce ridentem, misero quod omnis eripit sensus mihi: nam simul te, Lesbia, aspexi, nihil est super mi . Lingua sed torpet, tenuis sub artus flamma demanat, sonitu suopte tintinant aures, gemina et teguntur lumina nocte. Otium, Catulle, tibi molestum est: otio exsultas nimiumque gestis: otium et reges prius et beatas perdidit urbes. Quello mi sembra pari a un dio, quello, se è lecito, (mi sembra) superare gli dei, che sedendo di fronte continuamente ti guarda e ascolta sorridere dolcemente, cosa che a me, misero, toglie tutti i sensi: infatti appena ti vedo, Lesbia, non mi resta un filo di voce. Ma la lingua si blocca, sotto le membra una sottile fiamma si insinua, del loro stesso suono tintinnano le orecchie, gli occhi si coprono di duplice notte. L’ozio, Catullo, ti è nocivo: nell’ozio esulti e smani troppo: l’ozio ha distrutto re e città un tempo felici. (Trad. Annamaria De Simone)https://linea20.blog/wp-content/uploads/2016/03/024-diane-arbus-theredlist.pngA couple kissing on stage (1963)Diane Arbus "A Couple Kissing On Stage" - New York, 1963 LXXII. Dicebas quondam solum te nosse Catullum, Lesbia, nec prae me velle tenere Iovem. dilexi tum te non tantum ut vulgus amicam, sed pater ut gnatos diligit et generos. nunc te cognovi: quare etsi impensius uror, multo mi tamen es vilior et levior. qui potis est, inquis? quod amantem iniuria talis cogit amare magis, sed bene velle minus. Un tempo dicevi di aver solo Catullo come amante, Lesbia, e di non voler avere neppure Giove al posto mio. Allora ti amai non solo come la gente comune ama un’amante, ma come un padre ama i figli e i generi. Ora ti ho conosciuto: perciò, anche se brucio più forte, tuttavia mi sei molto più vile e leggera. Come è possibile, dici? Perché una tale offesa costringe un amante ad amare di più, ma a voler bene di meno. (Trad. Annamaria De Simone)https://linea20.blog/wp-content/uploads/2016/03/vm19xxw03460-03-mc.jpgUndatedVivian Maier, "Undated" VIII. Miser Catulle, desinas inept ire, | et quod vides perisse perditum ducas. | fulsere quondam candidi tibi soles, | cum ventitabas quo puella ducebat | amata nobis quantum amabitur nulla. | ibi illa multa tum iocosa fiebant, | quae tu volebas nec puella nolebat, | fulsere vere candidi tibi soles. | nunc iam illa non vult: tu quoque impotens noli, | nec quae fugit sectare, nec miser vive, | sed obstinata mente perfer, obdura. | vale puella, iam Catullus obdurat, | nec te requiret nec rogabit invitam. | at tu dolebis, cum rogaberis nulla. | scelesta, vae te, quae tibi manet vita? | quis nunc te adibit? cui videberis bella? | quem nunc amabis? cuius esse diceris? | quem basiabis? cui labella mordebis? | at tu, Catulle, destinatus obdura. Misero Catullo, smetti di impazzire, e ciò che vedi esser perso consideralo perduto. Un tempo ti rifulsero candidi soli, quando solevi andare dove ti portava la ragazza amata da noi quanto nessuna lo sarà. Lì avvenivano, allora, quei tanti giochi d’amore, che tu volevi e lei non disdegnava… Davvero ti rifulsero candidi soli. Ora lei non vuole più: e anche tu, pur incapace di dominarti, non volere, non inseguire chi fugge, non vivere infelice, ma sopporta con mente ostinata, resisti. Addio ragazza, ormai Catullo resiste, non ti cercherà né ti vorrà, se tu non lo vuoi più. Ma tu soffrirai, quando non sarai più cercata (da me). Sciagurata, guai a te, che vita ti rimane? Chi ti avvicinerà ora? A chi sembrerai bella? Chi amerai ora? Di chi si dirà che sei? Chi bacerai? A chi morderai le labbra? Ma tu, Catullo, risoluto, resisti. (Trad. Annamaria De Simone)https://linea20.blog/wp-content/uploads/2016/03/street-games-ii.jpgStreet gameslava360, "Street Games" V. Vivamus, mea Lesbia, atque amemus | Rumoresque senum severiorum | Omnes unius aestimemus assis. | Soles occidere et redire possunt: | nobis cum semel occidit brevis lux, | nox est perpetua una dormienda. | Da mihi basia mille, deinde centum, | dein mille altera, dein secunda centum | deinde usque altera mille, deinde centum. | Dein, cum milia multa fecerimus, | conturbabimus illa, ne sciamus, | aut nequis malus invidere possit, | cum tantum sciat esse basiorum. Viviamo, mia Lesbia, e amiamoci, e i brontolii dei vecchi troppo severi valutiamoli tutti un soldo! I soli possono tramontare e risorgere: ma noi, una volta che la (nostra) breve luce tramonta, dobbiamo dormire un’unica eterna notte. Dammi mille baci, poi cento, poi mille altri, poi ancora cento, poi di seguito altri mille, poi cento. Poi, quando ne avremo fatti molte migliaia, li mescoleremo, per non sapere [quanti sono], o perché nessun malvagio possa farci il malocchio, sapendo che sono così tanti. (Trad. Annamaria De Simone)https://linea20.blog/wp-content/uploads/2016/03/1958_dutchferry_xl.jpgOn a Dutch ferry (1958)Louis Stettner, "On a Dutch Ferry" - Olanda, 19582018-04-09T09:43:00+00:00monthlyhttps://linea20.blog/2016/04/12/3-musica-di-notte/https://linea20.blog/wp-content/uploads/2016/04/58ac001091.jpgStrumenti musicali con tendone verde (1665-75)Evaristo Baschenis (1617-77) "Strumenti musicali con tendone verde", 1665-75https://linea20.blog/wp-content/uploads/2016/04/58ac00105.jpgStrumenti musicali (1660-70)Evaristo Baschenis (1617-77) "Strumenti musicali", 1660-70 Il lavoro di Baschenis è estremamente interessante. Si dedicò esclusivamente (salvo qualche rarissima eccezione) alle nature morte con strumenti musicali come soggetti. L'illusionismo della resa, ottenuto grazie a un estremo realismo di stampo olandese, risulta però in una sospensione della rappresentazione. Gli strumenti, gli spartiti, sembrerebbero pronti per essere usati, ma giacciono invece abbandonati da tempo, come suggerisce la polvere di cui sono ricoperti (magistrale l'impronta di un dito che attraversa lo spesso strato di polvere). Ciò che dovrebbe essere usato dall'uomo rimane abbandonato e privo di scopo, quello che dovrebbe essere un suono si riduce a silenzio. Il tema della natura morta, e di natura morta come quella concepita da Baschenis, nel Seicento si lega a una riflessione angosciosa sul tempo: l'uomo è contingente e così la sua vita, il tempo passa e la decadenza è inevitabile, nella consapevolezza che il futuro e l'aldilà sono incerti e non garantiti.https://linea20.blog/wp-content/uploads/2016/04/58ac00119.jpgStrumenti musicali e statuetta (1660-70)Evaristo Baschenis (1617-77), "Strumenti musicali e statuetta", 1660-70 Se in "Strumenti musicali" era chiara l'impronta di un dito nella polvere, qui è invece palese come gli strumenti siano anche scordati. La tenda che si apre su questa scena sembra sottolineare il momento che sarebbe dovuto essere di attenzione e ascolto ma che è invece di silenzio e abbandono.https://linea20.blog/wp-content/uploads/2016/04/tumblr_nl66n6ekyx1uof2qco1_1280.jpgMissa SolemnisAutografo di Ludwig van Beethoven (1770-1827) per la Missa Solemnis (1820-1). A matita e penna, su questo foglio, che Beethoven aveva strappato dal quaderno e portava in tasca, ci sono appunti per le sezioni del Sanctus, del Benedictus e del Gloria. È proprio con il Benedictus della Missa Solemnis che Huxley accompagna il proprio saggio "Music at Night": "'Benedictus, benedictus...' One after another the voices take up the theme propounded by the orchestra and lovingly meditated through a long and exquisite solo (for blessedness reveals itself most often to the solitary spirit) by a single violin. 'Benedictus, benedictus...' And then, suddenly, the music dies; the flying djinn has been rebottled."https://linea20.blog/wp-content/uploads/2016/04/stillife1.jpgstillife2018-04-09T09:42:10+00:00monthlyhttps://linea20.blog/2018/04/09/hip-hop-as-the-voice-of-voiceless/https://linea20.blog/wp-content/uploads/2018/04/kendrick-lamar-to-pimp-a-butterfly.jpgkendrick-lamar-to-pimp-a-butterflyLa cover dell'album "To Pimp a Butterfly" di Kendrick Lamar2018-04-09T09:42:00+00:00monthlyhttps://linea20.blog/2016/04/19/4-tenace-come-gli-inferi-la-passione/https://linea20.blog/wp-content/uploads/2016/04/jean-auguste-dominique_ingres_-_la_baigneuse1.jpgjean-auguste-dominique_ingres_-_la_baigneuseJean-Auguste Dominique Ingres (1780-1867) "La grande bagnante", 1808 La ricerca di perfezione formale di Ingres si ispira, tra le altre, all'opera di Raffaello. L'equilibrio in questo quadro non è dato soltanto dall'eleganza del tratto e dal disegno di partenza, ma anche da tutto un sistema di richiami cromatici: il bianco e il rossiccio del turbante sono ripresi rispettivamente l'uno dal letto, dallo sfondo e dal panno ai piedi della bagnante, l'altro dal panno a terra e dai ricami della tenda; il verde della tenda riprende i toni dei ricami del lenzuolo e delle ombre nel quadro. I toni della pelle sono ripresi nell'accenno di pavimento in basso a sinistra.https://linea20.blog/wp-content/uploads/2016/04/1024px-jean_auguste_dominique_ingres_la_grande_odalisque_18141.jpg1024px-jean_auguste_dominique_ingres_la_grande_odalisque_1814Jean-Auguste-Dominique Ingres (1780-1867) "La grande odalisca", 1814 Il quadro di Ingres venne criticato quando venne esposto la prima volta, perché il corpo dell'odalisca non rispetta le normali proporzioni anatomiche. Anzi, la figura viene deformata e allungata (soprattutto nella schiena, che guadagna cinque vertebre). La posa è risultata impossibile da riprodurre per una persona reale. Eppure, è proprio questa deformazione a contribuire alla sensualità del soggetto. La lunga curva del viso, che si sta voltando verso lo spettatore, della schiena e delle lunghe gambe morbidamente accavallate e quella delle pieghe della tenda costituiscono un'unica linea sensuale. La morbidezza e il profumo della splendida pelle sono quelle di una creatura che non ha mai dovuto affaticarsi. Il suo sguardo ci dice che è cosciente della propria bellezza, ma che ciò non le suscita esaltazione o arroganza: è serena nella sua consapevolezza, e quegli occhi tanto penetranti sono stati interpretati sia come specchio di un'immensità psicologica, sia come pozze prive di sentimento. Ingres era convinto della predominanza del disegno sul colore, e questo si può notare anche nella Odalisque: i contorni sono chiari e leggermente marcati, e il colore e la luce sono modulati solo lo stretto necessario per rendere i dettagli. I toni freddi e scuri del letto e dello sfondo, inoltre, enfatizzano sì la serica pelle dell'odalisca, ma non la fanno risaltare violentemente.https://linea20.blog/wp-content/uploads/2016/04/jean-auguste-dominique_ingres_-_la_baigneuse_particolare.jpgjean-auguste-dominique_ingres_-_la_baigneuse_particolareJean-Auguste Dominique Ingres (1780-1867) "La grande bagnante", 1808, particolare. "Tu sei bella, amica mia, come Tirza, leggiadra come Gerusalemme, terribile come schiere a vessilli spiegati. Distogli da me i tuoi occhi: il loro sguardo mi turba. Le tue chiome sono come un gregge di capre che scendono dal Gàlaad. I tuoi denti come un gregge di pecore che risalgono dal bagno. Tutte procedono appaiate e nessuna è senza compagna. Come spicchio di melagrana la tua gota, attraverso il tuo velo. Sessanta sono le regine, ottanta le altre spose, le fanciulle senza numero. Ma unica è la mia colomba la mia perfetta, ella è l'unica di sua madre, la preferita della sua genitrice. L'hanno vista le giovani e l'hanno detta beata, le regine e le altre spose ne hanno intessuto le lodi. «Chi è costei che sorge come l'aurora, bella come la luna, fulgida come il sole, terribile come schiere a vessilli spiegati?». Nel giardino dei noci io sono sceso, per vedere il verdeggiare della valle, per vedere se la vite metteva germogli, se fiorivano i melograni."https://linea20.blog/wp-content/uploads/2016/04/jean_auguste_dominique_ingres_la_grande_odalisque_particolare.jpgjean_auguste_dominique_ingres_la_grande_odalisque_particolareJean-Auguste-Dominique Ingres (1780-1867) "La grande odalisca", 1814, particolare ""Come son belli i tuoi piedi nei sandali, figlia di principe! Le curve dei tuoi fianchi sono come monili, opera di mani d'artista. Il tuo ombelico è una coppa rotonda che non manca mai di vino drogato. Il tuo ventre è un mucchio di grano, circondato da gigli. I tuoi seni come due cerbiatti, gemelli di gazzella. Il tuo collo come una torre d'avorio; i tuoi occhi sono come i laghetti di Chesbòn, presso la porta di Bat-Rabbìm; il tuo naso come la torre del Libano che fa la guardia verso Damasco. Il tuo capo si erge su di te come il Carmelo e la chioma del tuo capo è come la porpora; un re è stato preso dalle tue trecce». Quanto sei bella e quanto sei graziosa, o amore, figlia di delizie! La tua statura rassomiglia a una palma e i tuoi seni ai grappoli. Ho detto: «Salirò sulla palma, coglierò i grappoli di datteri; mi siano i tuoi seni come grappoli d'uva e il profumo del tuo respiro come di pomi»."https://linea20.blog/wp-content/uploads/2016/04/jean_auguste_dominique_ingres_la_grande_odalisque.jpgjean_auguste_dominique_ingres_la_grande_odalisqueJean-Auguste Dominique Ingres (1780-1867) "La grande odalisca", 18142018-04-09T09:14:40+00:00monthlyhttps://linea20.blog/2016/05/04/5-amare-le-domande-stesse-come-stanze-chiuse/https://linea20.blog/wp-content/uploads/2016/05/uomo-in-riva-al-mare.jpgmonaco-in-riva-al-mareCaspar David Friedrich (1774-1840) "Monaco in riva al mare", 1808-10https://linea20.blog/wp-content/uploads/2016/05/lattaia.jpglattaiaJohannes Vermeer (1632-75) "Lattaia", 1658https://linea20.blog/wp-content/uploads/2016/05/karoline-sulle-scale.jpgkaroline-sulle-scaleCaspar David Friedrich (1774-1840 "Karoline sulle scale", 1825 - Museo Statale della Pomeraniahttps://linea20.blog/wp-content/uploads/2016/05/interno-illuminato-dal-sole.jpginterno-illuminato-dal-soleCarl Vilhelm Holsøe (1863-1935) "Interno illuminato dal sole" - collezione privatahttps://linea20.blog/wp-content/uploads/2016/05/interno-di-salone-con-una-donna.jpginterno-di-salone-con-una-donnaCarl Vilhelm Holsøe (1863-1935), "Interno di salone con una donna", 1900 ca - collezione privatahttps://linea20.blog/wp-content/uploads/2016/05/interno-con-giovane-che-legge.jpginterno-con-giovane-che-leggeVilhelm Hammershøi (1863-1916) "Interno con giovane uomo che legge", 1898https://linea20.blog/wp-content/uploads/2016/05/interno-a-strandgade.jpginterno-a-strandgadeVilhelm Hammershøi (1864-1916) "Interno a Strandgade, luce del sole sul pavimento", 1901 - Statens Museum for Kunsthttps://linea20.blog/wp-content/uploads/2016/05/interno-con-giardino2.jpginterno-con-giardino2Carl Vilhelm Holsøe (1863-1935) "Interno con giardino"https://linea20.blog/wp-content/uploads/2016/05/donna-vista-di-spalle.jpgdonna-vista-di-spalleVilhelm Hammershøi (1864-1916) "Donna vista di spalle", 1888 - Statens Museum for Kunsthttps://linea20.blog/wp-content/uploads/2016/05/donna-sulle-scale.jpgdonna-sulle-scaleCarl Vilhelm Holsøe (1863-1935) "Donna sulle scale"2018-04-09T09:10:06+00:00monthlyhttps://linea20.blog/2016/05/18/6-rapsodia-manhattan/https://linea20.blog/wp-content/uploads/2016/05/woody-allen-movies1.jpgwoody-allen-movieshttps://linea20.blog/wp-content/uploads/2016/05/manhattan001.jpgmanhattan001https://linea20.blog/wp-content/uploads/2016/05/screen-shot-2012-09-18-at-9-06-08-pm.jpgscreen-shot-2012-09-18-at-9-06-08-pmhttps://linea20.blog/wp-content/uploads/2016/05/manhattan-1.jpgmanhattan-1Alcune immagini dalla sequenza iniziale di "Manhattan" (1979)https://linea20.blog/wp-content/uploads/2016/05/37473593.jpg37473593Alcune immagini dalla sequenza iniziale di "Manhattan" (1979)2018-04-09T09:04:19+00:00monthlyhttps://linea20.blog/2016/10/02/7-vero-come-la-finzione/https://linea20.blog/wp-content/uploads/2016/10/film-stranger_than_fiction-2006-harold_crick-will_ferrell-accessories-wristwatch.jpgfilm-stranger_than_fiction-2006-harold_crick-will_ferrell-accessories-wristwatchhttps://linea20.blog/wp-content/uploads/2016/10/stranger-than-fiction1.jpgstranger-than-fictionhttps://linea20.blog/wp-content/uploads/2016/10/stranger-than-fiction-apple.jpgstranger-than-fiction-appleL'immagine della mela verde è strettamente legata al personaggio di Harold. Combinata al completo che Harold porta sempre e al fatto che, molto spesso, egli tenga la mela in bocca a nascondergli parte del viso, questa immagine rende difficile non pensare al lavoro del pittore belga.https://linea20.blog/wp-content/uploads/2016/10/professor-hilbert.jpgAutumn Leaves (1856) particolare"Some plots are moved forward by external events and crises. Others are moved forward by the characters themselves. If I go through that door, the plot continues. The story of me through the door. If I stay here the plot can't move forward, the story ends. Also if I stay here, I'm late." Professor Jules Hilberthttps://linea20.blog/wp-content/uploads/2016/10/magritte-son-of-man.jpgmagritte-son-of-manRené Magritte, "Il figlio dell'uomo", 1964 - Collezione privata L'immagine della mela verde è strettamente legata al personaggio di Harold. Combinata al completo che Harold porta sempre e al fatto che, molto spesso, egli tenga la mela in bocca a nascondergli parte del viso, questa immagine rende difficile non pensare al lavoro del pittore belga.https://linea20.blog/wp-content/uploads/2016/10/karen-eiffel.jpgKaren Eiffel"Everybody thinks about leaping off a building" Karen Eiffel2018-04-09T09:01:42+00:00monthlyhttps://linea20.blog/2016/10/11/8-foglie-autunno/https://linea20.blog/wp-content/uploads/2016/10/beardsley-salomecc81.jpgbeardsley-salomeAubrey Beardsley (1872-1898), "The Peacock Skirt - Tavola II", 1894 "Ah! I have kissed thy mouth, Jokanaan, I have kissed thy mouth. There was a bitter taste on my lips. Was it the taste of blood ? ... Nay; but perchance it was the taste of love... They say that love hath a bitter taste. ... But what matter? what matter? I have kissed thy mouth."https://linea20.blog/wp-content/uploads/2016/10/lady-of-shalott.jpglady-of-shalottJohn William Waterhouse (1849-1917), "The Lady Of Shalott", 1888, Tate Britain, Londrahttps://linea20.blog/wp-content/uploads/2016/10/giorgione-vecchia.jpggiorgione-vecchiaGiorgio da Castelfranco detto Giorgione (1478 ca.-1510), "Vecchia", 1506 ca., Gallerie dell'Accademia, Venezia La vita fugge, et non s'arresta una hora | et la morte vien dietro a gran giornate | et le cose presenti et le passate | mi danno guerra, et le future anchora; | e 'l rimembrar et l'aspettar m'accora, | or quinci, or quindi, sì che 'n veritate, | se non ch'i' ò di me stesso pietate, | i' sarei già di questi pensier fora. | Tornami avanti, s'alcun dolce mai | ebbe il cor tristo; et poi da l'altra parte | veggio al mio navigar turbati i venti; | https://linea20.blog/wp-content/uploads/2016/10/millais_leaves21.jpgmillais_leaves2John Everett Millais (1829-1896), "Autumn Leaves", 1856, Manchester City Art Gallery, Manchester "Tears, idle tears, I know not what they mean, | Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, | In looking on the happy Autumn-fields, | And thinking of the days that are no more. | Fresh as the first beam glittering on a sail, | That brings our friends up from the underworld, | Sad as the last which reddens over one | That sinks with all we love below the verge; | So sad, so fresh, the days that are no more. | Ah, sad and strange as in dark summer dawns | The earliest pipe of half-awaken'd birds | To dying ears, when unto dying eyes | The casement slowly grows a glimmering square; | So sad, so strange, the days that are no more. | Dear as remember'd kisses after death, | And sweet as those by hopeless fancy feign'd | On lips that are for others; deep as love, | Deep as first love, and wild with all regret; | O Death in Life, the days that are no more!"https://linea20.blog/wp-content/uploads/2016/10/millais_leaves3.jpgmillais_leavesJohn Everett Millais - Autumn Leaves – Versione 22018-04-09T09:00:43+00:00monthlyhttps://linea20.blog/2016/10/26/9-tre-hallelujah/https://linea20.blog/wp-content/uploads/2016/10/view-chanel1.jpgview-chanelhttps://linea20.blog/wp-content/uploads/2016/10/cartier-bresson-romania.jpgRomania, 1975Henri Cartier-Bresson, "Romania, 1975" (1975), MoMA, New York2018-04-09T08:59:08+00:00monthlyhttps://linea20.blog/2016/11/22/10-give-yourself-over-to-absolute-pleasure/https://linea20.blog/wp-content/uploads/2016/11/rocky.jpgRockyPeter Hinwood interpreta Rockyhttps://linea20.blog/wp-content/uploads/2016/11/magenta-e-riff-raff.jpgMagenta e Riff RaffPraticia Quinn interpreta Magenta Richard O'Brien interpreta Riff Raffhttps://linea20.blog/wp-content/uploads/2016/11/frank-furter.jpgFrank N. FurterTim Curry interpreta Dr. Frank N. Furterhttps://linea20.blog/wp-content/uploads/2016/11/charles-gray-rocky-horror.jpgcharles-gray-rocky-horrorCharles Gray interpreta il Criminologohttps://linea20.blog/wp-content/uploads/2016/11/lips.jpglips2018-04-09T08:57:09+00:00monthlyhttps://linea20.blog/2016/11/29/11-schiaccianoci-e-re-dei-topi/https://linea20.blog/wp-content/uploads/2016/11/nutcracker-scheiner1.jpgLo Schiaccianoci e il Re dei TopiIllustrazione di Artuš Scheiner (1863-1938) al racconto di E.T.A. Hoffmann (Praga, 1924)2018-04-09T08:54:38+00:00monthlyhttps://linea20.blog/2016/12/20/13-carole-carole-carole/https://linea20.blog/wp-content/uploads/2016/12/carols-734873.jpgConditor alme siderum"Conditor alme siderum" (inno proprio della liturgia per i vespri della prima domenica di Avvento), ca.1538 - in A. Roth, "Costanzo Festa, Innario e raccolta di Magnificat"- a sua volta in (a cura di) A. M. Piazzoni e B. Jatta, "Conoscere la Biblioteca Vaticana: una storia aperta al futuro [catalogo di mostra]", 2011, Biblioteca Apostolica Vaticana, Capp.Sist.182018-04-09T08:53:10+00:00monthlyhttps://linea20.blog/2016/12/13/12-la-capacita-di-ascoltare/https://linea20.blog/wp-content/uploads/2016/12/b89691416058710059.jpgThe Piano (1993)https://linea20.blog/wp-content/uploads/2016/12/tumblr_ml1w9shbil1roxqxqo1_r1_1280.pngtumblr_ml1w9shbil1roxqxqo1_r1_1280https://linea20.blog/wp-content/uploads/2016/12/e2da334099290f89b7abc9608e164d12.pnge2da334099290f89b7abc9608e164d122018-04-09T08:52:34+00:00monthlyhttps://linea20.blog/2017/01/10/14-scientificamente-provato-i-cavalli-volano/https://linea20.blog/wp-content/uploads/2017/01/muybridge-cavalli.jpgCavallo in movimentoEadweard Muybridge, "Sequenza di un cavallo che salta (Daisy)", 1887 (pub.)https://linea20.blog/wp-content/uploads/2017/01/muybridge_horse_jumping.jpgCavallo che saltaEadweard Muybridge, "Sequenza di un cavallo che salta (Daisy)", 1887 (pub.)https://linea20.blog/wp-content/uploads/2017/01/804px-eadweard_muybridge_-_pi-wi-ack_28shower_of_stars292c_vernal_fall2c_400_feet2c_valley_of_yosemite_-_google_art_project.jpgPi-Wi-Ak (Shower of Stars)Eadweard Muybridge, "Pi-Wi-Ak (Pioggia di stelle), Cascata Vernall, 400 piedi di altezza, Yosemite Park", 1872https://linea20.blog/wp-content/uploads/2017/01/738x.gifCammello in movimentoEadweard Muybridge, "Cammello in movimento" - animazione realizzata dallo UCR/California Museum of Photographyhttps://linea20.blog/wp-content/uploads/2017/01/muybridge-3.jpgContemplation Rock, Glacier PointEadweard Muybridge, "Contemplation Rock, Glacier Point", 1872 Seduto sulla roccia è Muybridge stesso.2018-04-09T08:48:39+00:00monthlyhttps://linea20.blog/2017/10/19/yu-hua-il-settimo-giorno-%e7%ac%ac%e4%b8%83%e5%a4%a9/https://linea20.blog/wp-content/uploads/2017/10/il-settimo-giorno.jpgIl-settimo-giornoDettaglio della copertina dell'edizione Narratori Feltrinelli2018-03-31T11:13:41+00:00monthlyhttps://linea20.blog/2017/11/30/no-man-is-an-island-breve-storia-di-lajos-gulacsy/https://linea20.blog/wp-content/uploads/2017/11/1956_martyrs__unknown_hero.jpg1956_Martyrs_&_Unknown_herohttps://linea20.blog/wp-content/uploads/2017/11/gulacsy-collezione.jpggulacsy-collezioneDa sx: "Chevalier aux roses" (1915), "Man with hat and woman with black scarf" (1915), "the Opium smoker’s dream" (1918)https://linea20.blog/wp-content/uploads/2017/11/gulacsy-autoritratto-1903.jpggulacsy-autoritratto-1903Lajos Gulácsy, "Autoritratto", particolare (1903)2018-03-31T11:12:37+00:00monthlyhttps://linea20.blog/2018/03/30/giornate-fai-di-primavera-una-scoperta-tutta-veneziana/https://linea20.blog/wp-content/uploads/2018/03/palazzo-morosini-gatterburg.jpgPalazzo Morosini Gatterburghttps://linea20.blog/wp-content/uploads/2018/03/palazzo-morosini-gatterburg-fai.jpgPalazzo Morosini Gatterburg 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La rivalità tra Salieri e Mozart, in realtà, è fittizia, e basata sul dramma di Puškin "Mozart e Salieri" (1830). Sebbene siano state rivolte, a dramma e omonimo film, numerose critiche per la mancanza di accuratezza storica, esse tuttavia non tengono conto di quale voglia essere lo scopo ultimo di entrambi e la riflessione che vuole essere operata attraverso di essi.https://linea20.blog/wp-content/uploads/2017/02/amadeus143.jpgAmadeus (1984)Salieri (F. Murray Abraham) in una scena di "Amadeus" (1984)https://linea20.blog/wp-content/uploads/2017/02/amadeus.pngAmadeus (1984)Mozart (Tom Hulce) in una scena di "Amadeus" (1984)https://linea20.blog/wp-content/uploads/2017/02/antonio_salieri_painted_by_joseph_willibrord_mc3a4hler.jpgAntonio Salieri (1815)Antonio Salieri (1750-1825) in un ritratto di Joseph Willibrord Mähler (1778-1860)https://linea20.blog/wp-content/uploads/2017/02/wolfgang-amadeus-mozart_1.jpgWolfgang Amadeus Mozart (1819)Wolfgang Amadeus Mozart (1756-1791) nel ritratto postumo (1819) di Barbara Krafft (1764-1825)https://linea20.blog/wp-content/uploads/2017/02/p02kq5px.jpgAmadeus2018-03-21T11:18:03+00:00monthlyhttps://linea20.blog/2017/03/14/18-lo-spettacolo-della-caducita/https://linea20.blog/wp-content/uploads/2017/03/image15.jpegFlaming June (1895)Sir Frederic Leighton (1830-1895), "Flaming June" (1895) - particolare, Museo de Arte de Ponce, Portoricohttps://linea20.blog/wp-content/uploads/2017/03/image14.jpegFlaming June (1895)Sir Frederic Leighton (1830-1895), "Flaming June" (1895) - particolare, Museo de Arte de Ponce, Portoricohttps://linea20.blog/wp-content/uploads/2017/03/image13.jpegFlaming June (1895)Sir Frederic Leighton (1830-1895), "Flaming June" (1895) - particolare, Museo de Arte de Ponce, Portoricohttps://linea20.blog/wp-content/uploads/2017/03/image12.jpegFlaming June (1895)Sir Frederic Leighton (1830-1895), "Flaming June" (1895) - particolare, Museo de Arte de Ponce, Portoricohttps://linea20.blog/wp-content/uploads/2017/03/antonio-canova-ercole-e-lica.jpgErcole e LicaAntonio Canova (1757-1822), "Ercole e Lica" (1795-1815), Galleria Nazionale di Arte Moderna, Romahttps://linea20.blog/wp-content/uploads/2017/03/23118.jpgSummer SlumberJohn D. Miller da Sir Frederic Leighton, "Summer Slumber" Sulla destra, in basso, si può vedere un dettaglio del fregio della fontana che richiama già il lavoro successivo su "Flaming June".https://linea20.blog/wp-content/uploads/2017/03/3092256057_f8ff30e42c_b.jpgNotteMichelangelo Buonarroti (1475-1574), "Notte" (1526-31), dalla Tomba di Giuliano de' Medici, duca di Nemours, Sagrestia Nuova, Basilica di San Lorenzo, Firenzehttps://linea20.blog/wp-content/uploads/2017/03/flaming_june2c_by_frederic_lord_leighton_281830-189629.jpgFlaming June (1895)Sir Frederic Leighton (1830-1895), "Flaming June" (1895), Museo de Arte de Ponce, Portoricohttps://linea20.blog/wp-content/uploads/2017/03/image11.jpegFlaming June (1895)Sir Frederic Leighton (1830-1895), "Flaming June" (1895) - particolare, Museo de Arte de Ponce, Portorico2018-03-21T11:15:06+00:00monthlyhttps://linea20.blog/2017/03/28/19-uomo-che-plasmo-inghilterra/https://linea20.blog/wp-content/uploads/2017/03/d60ef9_8119134fa7204b8490edb4cc0b5b225f.jpgUgbrooke House, DevonCredits: Ugbrookehttps://linea20.blog/wp-content/uploads/2017/03/d60ef9_d6a9f00a15b248c088a54c669f3118d4.jpgBurghley House, LincolnshireCredits: Burghley Estatehttps://linea20.blog/wp-content/uploads/2017/03/d60ef9_f44df82e56784d9d80f9953013d2d791.jpgBowood House, WiltshireBowood House, Wiltshire Credits: Bowood Estatehttps://linea20.blog/wp-content/uploads/2017/03/d60ef9_5079055ea4e7415ab981cfe24fd7c453.jpgWeston Park, ShropshireCredits: Weston Parkhttps://linea20.blog/wp-content/uploads/2017/03/d60ef9_ed71bd3d0bd44d6ba2dacbbb3d1fe735.jpgBlenheim Palace, OxfordshireBlenheim Palace, dove Capability Brown lavorò per undici anni. Credits: Blenheim Estatehttps://linea20.blog/wp-content/uploads/2017/03/the-terrace-credit-harewood-house-trust-and-lee-beal-48-1024x683.jpgLa terrazza a Harewood House, YorkshireDalla terrazza a Harewood House si può ammirare il panorama ridisegnato da Capability Brown. Credits: Harewood House Trust e Lee Bealhttps://linea20.blog/wp-content/uploads/2017/03/harewood-landscape-in-autumn-credit-harewood-house-trust-and-david-oakes.jpgHarewood House, YorkshireHarewood House fu uno dei lavori più imponenti di Brown. Credits: Harewood House Trust e David Oakeshttps://linea20.blog/wp-content/uploads/2017/03/1431759085959-church-hill-andrew-butler.jpgSt Mary Magdalene ChurchChiesa di Santa Maria Maddalena a Croome, appositamente costruita come "eye-catcher". 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1996https://linea20.blog/wp-content/uploads/2016/04/romeo-and-juliet-dicksee.jpgromeo-and-juliet-dickseeFrank Dicksee, “Romeo and Juliet”. 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Olio su tela, 1775-1790, 222 × 280 cm, Winterthur, Kunstmuseum (ispirato a Sogno di una Notte di Mezza Estate)https://linea20.blog/wp-content/uploads/2016/04/globe-theatre.jpgglobe-theatreThe Globe Theatrehttps://linea20.blog/wp-content/uploads/2016/04/shakespeare.jpgshakespeareWilliam Shakespearehttps://linea20.blog/wp-content/uploads/2016/04/first-folio.jpgfirst-folioFrontespizio del First Folio (1623)https://linea20.blog/wp-content/uploads/2016/04/metro-londra-shakespeare3.jpgmetro-londra-shakespeareLa metropolitana di Londra in tema Shakespearehttps://linea20.blog/wp-content/uploads/2016/04/metropolitana-londra.jpgmetropolitana-londraMappa della metropolitana di Londra2017-03-29T22:43:02+00:00monthlyhttps://linea20.blog/2016/09/30/stanotte-la-luna-nera/https://linea20.blog/wp-content/uploads/2016/09/stanotte-luna-nera.jpgstanotte-luna-nera2017-03-29T22:42:57+00:00monthlyhttps://linea20.blog/2016/11/11/will-all-great-neptunes-ocean-wash-this-blood-clean-from-my-hand/https://linea20.blog/wp-content/uploads/2016/11/lady-macbeth.jpglady-macbeth2017-03-29T22:42:52+00:00monthlyhttps://linea20.blog/2015/02/27/cosi-finisce-ogni-anno-la-magia-del-carnevale/https://linea20.blog/wp-content/uploads/2015/02/604401519_11732436528209740876.jpg604401519_11732436528209740876https://linea20.blog/wp-content/uploads/2015/02/811024513_10461595314987592336.jpg811024513_10461595314987592336https://linea20.blog/wp-content/uploads/2015/02/604129642_306930185747187834.jpg604129642_3069301857471878342017-03-29T22:41:56+00:00monthlyhttps://linea20.blog/2015/07/25/prossima-fermata-sguardi-poetici-dalla-svezia/https://linea20.blog/wp-content/uploads/2015/07/tunnelbana_station_folk1.jpgmetro stoccolmahttps://linea20.blog/wp-content/uploads/2015/07/transtomer.jpgTranstomer2017-03-29T22:39:33+00:00monthlyhttps://linea20.blog/2016/10/05/my-brilliant-friend/https://linea20.blog/wp-content/uploads/2016/10/cover-my-brilliant-friend1.jpgcover-my-brilliant-friendhttps://linea20.blog/wp-content/uploads/2016/10/my-brilliant-friend1.jpgmy-brilliant-friend2017-03-29T22:38:54+00:00monthlyhttps://linea20.blog/2016/10/12/the-serious-games-era-a-conversation-with-erik-champion/https://linea20.blog/wp-content/uploads/2016/10/eric-champion.jpgeric-champion2017-03-29T22:38:49+00:00monthlyhttps://linea20.blog/2016/10/27/culture-chanel-la-donna-che-legge/https://linea20.blog/wp-content/uploads/2016/10/gabrielle_chanel_douglas_kirkland1.jpgGabrielle Chanel by Douglas KirklandPhoto credit: Douglas Kirkland https://linea20.blog/wp-content/uploads/2016/10/harry-pilcer.jpgharry-pilcerhttps://linea20.blog/wp-content/uploads/2016/10/culture-chanel_ladonnachelegge1.jpgculture-chanel_ladonnacheleggehttps://linea20.blog/wp-content/uploads/2016/10/chanel-items.jpgchanel-itemshttps://linea20.blog/wp-content/uploads/2016/10/books.jpgbookshttps://linea20.blog/wp-content/uploads/2016/10/chanel-collection.jpgchanel-collectionhttps://linea20.blog/wp-content/uploads/2016/10/book-painting.jpgbook-painting2017-03-29T22:38:45+00:00monthlyhttps://linea20.blog/2016/12/01/il-mercante-di-venezia/2017-03-29T22:37:36+00:00monthlyhttps://linea20.blog/2016/02/02/50-sfumature-di-venezia/https://linea20.blog/wp-content/uploads/2016/02/tramonto-e1454407840331.jpgTramonto a San Servolo, di Rossana Salarohttps://linea20.blog/wp-content/uploads/2016/01/image12.jpegChiesa di San Barnaba, di Rachele Bassanhttps://linea20.blog/wp-content/uploads/2016/01/image8.jpegBasilica di Santa Maria della Salute, di Rachele Bassanhttps://linea20.blog/wp-content/uploads/2016/01/image5.jpegSan Servolo, di Rachele Bassanhttps://linea20.blog/wp-content/uploads/2016/01/image3.jpegBasilica di Santa Maria della Salute, di Rachele Bassanhttps://linea20.blog/wp-content/uploads/2016/01/fb_img_1450868995590.jpgBassa marea, San Servolohttps://linea20.blog/wp-content/uploads/2016/01/fb_img_1450868948714.jpgLaguna al tramonto, San Servolohttps://linea20.blog/wp-content/uploads/2016/01/fb_img_1450868945146.jpgPontile, San Servolohttps://linea20.blog/wp-content/uploads/2016/01/20150929_185301.jpgIsola della Giudecca, di Chiara Caporusciohttps://linea20.blog/wp-content/uploads/2016/01/20150910_183627.jpgSan Servolo, di Chiara Caporuscio2017-03-29T22:37:13+00:00monthlyhttps://linea20.blog/2016/02/29/0-a-thing-of-beauty-is-a-joy-for-ever/https://linea20.blog/wp-content/uploads/2016/02/endymion1.jpgEndymion (1872)https://linea20.blog/wp-content/uploads/2016/02/wattsendymion.jpgEndymion (1903), particolareGeorge Frederic Watts OM RA (1817-1904) "Endymion" (particolare), 1903 - Watts Gallery, Surreyhttps://linea20.blog/wp-content/uploads/2016/02/wattsendymion.jpegEndymion (1903)George Frederic Watts OM RA (1817-1904) "Endymion", 1903 - Watts Gallery, Surrey Questa è l'ultima versione del tema di Endimione, di poco precedente la morte dell'artista. Selene si è fatta più eterea, tanto immateriale che possiamo vedere il cielo attraverso la sua figura. La composizione è simile a quella della versione del 1872, ma l'inquadratura è meno ravvicinata, e i toni sono meno drammatici. La figura di Selene così incorporea e le luminescenze dorate sottolineano la dimensione onirica di questo momento. Se da una parte questa esecuzione è più vicina alla sensibilità e all'arte della fine dell'Ottocento e dei primi del Novecento, dall'altra sembra meno fiduciosa di quella del 1872: i volti sono meno vicini (quello di Semele è addirittura la cosa meno distinguibile della sua figura), e l'insieme è più statico. Semele non è che un sogno, un istante splendido e mistico, sì, ma un sogno.https://linea20.blog/wp-content/uploads/2016/02/endymion.jpegEndymion (1872), particolareGeorge Frederic Watts OM RA (1817-1904) "Endymion" (particolare), 1872 - Collezione privatahttps://linea20.blog/wp-content/uploads/2016/02/endymion.jpgEndymion (1872)George Frederic Watts OM RA (1817-1904) "Endymion", 1872 - Collezione privata Watts tornò più volte sul tema di Endimione durante la sua vita. Questa è la prima versione e la più famosa. Le figure riprendono i marmi del Partenone (chiamati anche "Elgin Marbles", da Lord Elgin, che li portò a Londra), a proposito dei quali Watts dichiarò: "Solo da questi ho imparato". La posa di Endimione riprende quella della figura di Dioniso (anche identificato con Eracle o Teseo), mentre il panneggio della veste di Selene riprende chiaramente i famosi panneggi delle vesti di Hestia, Dione e Afrodite (identificate anche come Thalassa e Gaia). La salda corporeità di Semele rende l'apparizione molto reale: è Semele stessa a emanare la bianca, fredda luce che è tipica della luna, oscurando per contrasto ciò che è alle sue spalle. Endimione, invece, ne viene illuminato. Lo slancio della composizione è verso le labbra dei due, che sappiamo tra poco si sfioreranno: Semele cinge già il capo di Endimione, e i loro nasi già si toccano. La realtà della visione di Endimione è palpabile.2017-03-29T22:36:20+00:00monthlyhttps://linea20.blog/2015/11/06/un-temporale-estivo/https://linea20.blog/wp-content/uploads/2015/11/img-20151106-wa0002.jpgIMG-20151106-WA00022017-03-29T22:30:26+00:00monthlyhttps://linea20.blog/2016/11/14/je-suis-paris/https://linea20.blog/wp-content/uploads/2016/11/tour-eiffel-tricolore.jpgtour-eiffel-tricolore2017-03-29T22:29:29+00:00monthlyhttps://linea20.blog/2016/12/08/soleil/https://linea20.blog/wp-content/uploads/2016/12/tramonto-laguna.jpegtramonto-laguna2017-03-29T22:29:13+00:00monthlyhttps://linea20.blog/2017/03/06/bello-figo-patrono-o-nemico-degli-immigrati/https://linea20.blog/wp-content/uploads/2017/02/bellofigo.jpgbellofigoPhoto credit: Wild Italy2017-03-29T22:29:03+00:00monthlyhttps://linea20.blog/2017/03/20/e-vero-che-la-nostra-e-la-societa-della-post-verita/https://linea20.blog/wp-content/uploads/2017/03/posttruth.jpgpost-truthPhoto credit: Rappler.com2017-03-20T10:02:14+00:00monthlyhttps://linea20.blog/2017/03/13/viale-storia-33/https://linea20.blog/wp-content/uploads/2017/03/viale-storia-33-e1489398886696.jpgviale-storia-332017-03-13T10:04:34+00:00monthlyhttps://linea20.blog/2014/11/28/unidea-di-destino-con-angela-terzani-alen-loreti-e-furio-colombo/https://linea20.blog/wp-content/uploads/2014/11/terzani.pngSullo schermo: Terzani; seduta in basso rivolta verso lo schermo: Angela, moglie di Terzani2017-09-27T11:28:50+00:00monthlyhttps://linea20.blog/2015/02/25/venezia-o-sogno-corto-maltese-ci-fa-da-guida/https://linea20.blog/wp-content/uploads/2015/02/corte-sconta_pratt.jpgcorte-sconta_pratthttps://linea20.blog/wp-content/uploads/2015/02/corto-2.jpegCORTO-2https://linea20.blog/wp-content/uploads/2015/02/corto_maltese-2.jpgCorto Maltese2017-03-10T12:08:54+00:00monthlyhttps://linea20.blog/2015/03/02/un-incontro-insolito-a-venezia/https://linea20.blog/wp-content/uploads/2015/03/gemelli.jpeggemelliPiazza S. Marcohttps://linea20.blog/wp-content/uploads/2015/03/laguna.jpeglagunaLagunahttps://linea20.blog/wp-content/uploads/2015/03/altana.jpegaltanaAltanahttps://linea20.blog/wp-content/uploads/2015/03/sera.jpegseraSan Tomà2017-03-10T12:08:45+00:00monthlyhttps://linea20.blog/2016/12/03/sapessi-dove-sono-amore/https://linea20.blog/wp-content/uploads/2016/12/01.jpg012017-03-10T12:07:57+00:00monthlyhttps://linea20.blog/2016/04/28/c-arte-un-viaggio-nella-fantasia-dei-bambini/https://linea20.blog/wp-content/uploads/2016/04/c-arte21.jpgc-arte21https://linea20.blog/wp-content/uploads/2016/04/c-arte22.jpgc-arte22https://linea20.blog/wp-content/uploads/2016/04/c-arte20.jpgc-arte20https://linea20.blog/wp-content/uploads/2016/04/c-arte19.jpgc-arte19https://linea20.blog/wp-content/uploads/2016/04/c-arte18.jpgc-arte18https://linea20.blog/wp-content/uploads/2016/04/c-arte17.jpgc-arte17https://linea20.blog/wp-content/uploads/2016/04/c-arte16.jpgc-arte16https://linea20.blog/wp-content/uploads/2016/04/c-arte15.jpgc-arte15https://linea20.blog/wp-content/uploads/2016/04/c-arte14.jpgc-arte14https://linea20.blog/wp-content/uploads/2016/04/c-arte13.jpgc-arte132017-03-10T12:07:25+00:00monthlyhttps://linea20.blog/2017/02/28/straniamento/https://linea20.blog/wp-content/uploads/2017/02/maschera-casanova.jpegmaschera-casanovaPhoto credit: Original Venice Shop2017-03-10T11:42:44+00:00monthlyhttps://linea20.blog/2017/03/09/impressioni-dell8-marzo/https://linea20.blog/wp-content/uploads/2017/03/lottomarzo2.jpglottomarzo2017-03-09T11:13:43+00:00monthlyhttps://linea20.blog/2017/03/10/picasso-a-verona/https://linea20.blog/wp-content/uploads/2017/03/image10.jpegimagehttps://linea20.blog/wp-content/uploads/2017/03/image9.jpegimageL'abbraccio, 1970https://linea20.blog/wp-content/uploads/2017/03/image8.jpegimageLa famiglia, 1970https://linea20.blog/wp-content/uploads/2017/03/image7.jpegimageRagazzo con l'aragosta, 1941https://linea20.blog/wp-content/uploads/2017/03/image6.jpegimageDonna con orologio, 1936https://linea20.blog/wp-content/uploads/2017/03/image5.jpegimageUomo con baffi, 1914https://linea20.blog/wp-content/uploads/2017/03/image4.jpegimageL'acrobata, 1930https://linea20.blog/wp-content/uploads/2017/03/image3.jpegimageBambino che gioca con un camion, 1953https://linea20.blog/wp-content/uploads/2017/03/image2.jpegimageIl Bacio, 1929https://linea20.blog/wp-content/uploads/2017/03/image1.jpegimageUomo con Mandolino, 19112017-03-09T09:56:07+00:00monthlyhttps://linea20.blog/2017/03/08/a-proposito-dell8-marzo/https://linea20.blog/wp-content/uploads/2017/03/img_5370.jpgIMG_5370https://linea20.blog/wp-content/uploads/2017/03/img_5368.pngIMG_5368https://linea20.blog/wp-content/uploads/2017/03/img_5367.jpgIMG_5367https://linea20.blog/wp-content/uploads/2017/03/img_5366.jpgIMG_5366https://linea20.blog/wp-content/uploads/2017/03/img_5369.jpgnon una di meno2017-03-10T22:38:35+00:00monthlyhttps://linea20.blog/2017/02/17/dalla-terrazza/https://linea20.blog/wp-content/uploads/2017/01/image.jpegimage2022-11-13T15:45:40+00:00monthlyhttps://linea20.blog/2017/02/20/split-uno-solo-ma-tanti/https://linea20.blog/wp-content/uploads/2017/02/split-uno-solo-ma-tanti1.jpgsplit-uno-solo-ma-tantiDi Bart Ryker - trailer ufficiale, <a href="https://it.wikipedia.org/w/index.php?curid=6036342">Copyright</a>2017-02-20T09:16:46+00:00monthlyhttps://linea20.blog/2017/01/23/mattino-e/https://linea20.blog/wp-content/uploads/2017/01/winter_morning_light.jpgwinter_morning_light2017-01-23T00:04:26+00:00monthlyhttps://linea20.blog/2017/01/20/fuori/https://linea20.blog/wp-content/uploads/2017/01/white-temple.jpgwhite-templePhoto credit: flickr2017-01-20T16:00:07+00:00monthlyhttps://linea20.blog/2017/01/16/la-mia-citta/https://linea20.blog/wp-content/uploads/2017/01/20170111_193238.jpg20170111_193238https://linea20.blog/wp-content/uploads/2017/01/panorama-1.jpgpanorama-12017-01-16T09:57:40+00:00monthlyhttps://linea20.blog/2017/01/13/il-terremoto/https://linea20.blog/wp-content/uploads/2017/01/neve-gatto.jpgneve-gatto2017-01-14T21:41:44+00:00monthlyhttps://linea20.blog/2017/01/06/alba/https://linea20.blog/wp-content/uploads/2016/11/image2.jpegimage2017-01-05T23:06:33+00:00monthlyhttps://linea20.blog/2016/10/25/far-west-artificial-intelligence-and-philosophical-reflection-westworld/https://linea20.blog/wp-content/uploads/2016/10/westworld.jpgwestworldCredits: HBO Canada2017-01-03T11:53:10+00:00monthlyhttps://linea20.blog/2016/09/29/matt-damon-salva-la-cina-dai-draghi-in-the-great-wall/https://linea20.blog/wp-content/uploads/2016/09/great-wall-matt-damon.jpggreat-wall-matt-damon2017-01-03T11:52:31+00:00monthlyhttps://linea20.blog/2016/04/29/jodorowsky-scala-le-montagne-solamente-quando-sono-sacre/https://linea20.blog/wp-content/uploads/2016/04/jodorowsky.jpgjodorowskyhttps://linea20.blog/wp-content/uploads/2016/04/holy_mountain.jpgholy_mountainhttps://linea20.blog/wp-content/uploads/2016/04/lamontagnasacra.jpglamontagnasacrahttps://linea20.blog/wp-content/uploads/2016/04/the-holy-mountain.jpgthe-holy-mountain2017-01-03T11:50:30+00:00monthlyhttps://linea20.blog/2015/03/09/striplife-un-giorno-a-gaza/https://linea20.blog/wp-content/uploads/2015/03/1383834937088.jpeg1383834937088https://linea20.blog/wp-content/uploads/2015/03/locandina-striplife-ok.jpegLOCANDINA-STRIPLIFE-OK2017-01-03T11:49:31+00:00monthlyhttps://linea20.blog/2015/03/03/quando-e-un-pennuto-ad-osservare-luomo/https://linea20.blog/wp-content/uploads/2015/02/un-piccione-seduto-su-un-ramo-riflette-sullesistenza.jpegUn-piccione-seduto-su-un-ramo-riflette-sullesistenzahttps://linea20.blog/wp-content/uploads/2015/02/pieter_bruegel_the_elder_-_hunters_in_the_snow_winter_-_google_art_project.jpegPieter_Bruegel_the_Elder_-_Hunters_in_the_Snow_(Winter)_-_Google_Art_ProjectPieter Bruegel il Vecchio, "I cacciatori nella neve", olio su tavola, 1565https://linea20.blog/wp-content/uploads/2015/02/tumblr_nk8u4m52ec1rkmpr9o1_1280.jpegtumblr_nk8u4m52EC1rkmpr9o1_12802017-01-03T11:49:00+00:00monthlyhttps://linea20.blog/2014/12/23/cineforum-novembre-2014-buoni-o-cattivi/https://linea20.blog/wp-content/uploads/2014/12/09.png09https://linea20.blog/wp-content/uploads/2014/12/a-clockwork-orange-004.jpga-clockwork-orange-004https://linea20.blog/wp-content/uploads/2014/12/nbkillaz.jpgNBKillaz2017-01-03T11:48:00+00:00monthlyhttps://linea20.blog/2014/12/22/lanticristo-del-cinema-contemporaneo-ha-un-nome-lars-von-trier-iii-parte-la-trilogia-della-depressione/https://linea20.blog/wp-content/uploads/2014/12/nymphomaniac-11.jpgnymphomaniac-1https://linea20.blog/wp-content/uploads/2014/12/nymphomaniac-1.jpgnymphomaniac-1https://linea20.blog/wp-content/uploads/2014/12/melancholia.jpgmelancholiahttps://linea20.blog/wp-content/uploads/2014/12/copia-di-antichrisposter.jpgCopia di antichrisposterhttps://linea20.blog/wp-content/uploads/2014/12/nymphomaniac.jpgnymphomaniac2017-01-03T11:45:37+00:00monthlyhttps://linea20.blog/2014/11/25/lanticristo-del-cinema-contemporaneo-ha-un-nome-lars-von-trier-ii-parte-usa-terra-delle-opportunita/https://linea20.blog/wp-content/uploads/2014/11/manderlay.jpegmanderlayWillem Dafoe e Bryce Dallas Howard in una scena del film Manderlay (2005)https://linea20.blog/wp-content/uploads/2014/11/378956-nicole_kidmanhq_dogvilecon_01.jpeg378956-nicole_kidmanhq_dogvilecon_01Nicole Kidman in Dogville (2003)https://linea20.blog/wp-content/uploads/2014/11/9.jpeg9Il set "teatrale" di Dogville (2003) visto dall'alto2017-01-03T11:45:18+00:00monthlyhttps://linea20.blog/2014/11/08/lanticristo-del-cinema-contemporaneo-ha-un-nome-lars-von-trier-i-parte-la-trilogia-del-cuore-doro/https://linea20.blog/wp-content/uploads/2014/11/lars-von-trier-filming-the-idiots.jpegLars-von-Trier-filming-The-IdiotsLars von Trier sul "set" di Idioti (Idioterne, 1998)https://linea20.blog/wp-content/uploads/2014/11/breaking-the-waves-watson-11.jpegbreaking-the-waves-watson-11Emily Watson in una scena del film Le onde del destino (Breaking the Waves, 1996)https://linea20.blog/wp-content/uploads/2014/11/dancer-in-the-dark.jpegdancer-in-the-darkBjörk e Catherine Deneuve in una scena del film Dancer in the Dark (2000)2017-01-03T11:45:01+00:00monthlyhttps://linea20.blog/2016/04/26/il-linguaggio-oltre-il-linguaggio-la-verita-dellarte/https://linea20.blog/wp-content/uploads/2016/04/persistenza-della-memoria.jpgpersistenza-della-memoriaSalvador Dali, La Persistenza della Memoriahttps://linea20.blog/wp-content/uploads/2016/04/street-art-buenos-aires.jpgstreet-art-buenos-airesStreet art a Buenos Aireshttps://linea20.blog/wp-content/uploads/2016/04/street-art-berlino8.jpgstreet-art-berlino8https://linea20.blog/wp-content/uploads/2016/04/street-art-berlino7.jpgstreet-art-berlino7Scala per accedere a una libreria indipendente a Berlino, quotidianamente 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Berlino2017-01-03T11:43:38+00:00monthlyhttps://linea20.blog/2016/01/20/god-of-winter/https://linea20.blog/wp-content/uploads/2016/01/img_20160114_100947-e1453284744860.jpg2017-01-03T11:41:32+00:00monthlyhttps://linea20.blog/2015/12/18/i-tre-fratelli/https://linea20.blog/wp-content/uploads/2015/12/gianoart_evidenza.pngGianoArt_evidenzahttps://linea20.blog/wp-content/uploads/2015/12/gianoart.jpgGianoArt2017-01-03T11:41:06+00:00monthlyhttps://linea20.blog/2016/01/08/samantha-spangaro-il-percorso-di-unartista/https://linea20.blog/wp-content/uploads/2015/12/elena-and-raphael-firma.jpgElena and Raphael firmahttps://linea20.blog/wp-content/uploads/2015/12/valentina.jpgValentinahttps://linea20.blog/wp-content/uploads/2015/12/img_0243.jpgIMG_0243https://linea20.blog/wp-content/uploads/2015/12/bosco.jpgboscohttps://linea20.blog/wp-content/uploads/2015/12/sam-2.jpgSam 2https://linea20.blog/wp-content/uploads/2015/12/img_02421.jpgIMG_0242https://linea20.blog/wp-content/uploads/2015/12/img_0085-copia.jpgIMG_0085 - Copiahttps://linea20.blog/wp-content/uploads/2015/12/file00717-copia.jpgFile00717 - Copia"Thor" è un ritratto di Chris Hemsworth nei panni di Thor, nell'omonimo film del 2011. L'ho disegnato interamente con una matita 6B e per lo sfondo ho utilizzato un carboncino nero.https://linea20.blog/wp-content/uploads/2015/12/file00188-copia.jpgFile00188 - Copia"Soul of fire" è stato il mio primo disegno così elaborato. E' stato con questo che ho deciso di mettermi a disegnare seriamente e di farmi insegnare le varie tecniche e regole da rispettare. Questo disegno ha una storia un' po' più particolare. Innanzitutto è liberamente ispirato dalla copertina di un libro che amavo molto, "La spada della verità" di Terry Goodkind, e il dipinto originale è di un artista di nome Keith Parkinson. L'insegnante sarebbe dovuto essere mio nonno, l'artista di famiglia e la persona da cui ho preso la "mano", ma il destino ha voluto che morisse 6 mesi dopo la mia decisione, senza riuscire a vedere il quadro completo. All'inizio mi aveva spiegato come impostare il foglio e mi aveva fatto vedere come disegnare i pini e alcune rocce. Una cosa divertente è il fatto che lui disegnava questi elementi direttamente sul disegno e io, di nascosto, cancellavo quello che lui faceva e lo ridisegnavo da sola; questo perché mi dava fastidio, e mi darebbe tutt'ora fastidio, l'idea che qualcun'altro al di fuori di me metta mano su qualcosa di mio, personale, come un quadro. In un dipinto, l'artista mette, anche involontariamente, una parte della propria anima, che si più notare anche nei singoli tratti, che quindi cambiano di persona in persona, mettendo in luce la particolarità e unicità di un artista rispetto ad un altro. Quando i miei disegni sono stati pubblicati per la prima volta nella prima pagina del giornalino scolastico del mio liceo, la prima impressione che ho avuto è che ci fosse una foto di me su quella pagina. Ovviamente, al tempo in cui stavo facendo il disegno, non avevo ancora maturato nella mia mente tutte queste idee e semplicemente avevo la sensazione, probabilmente dettata dall'orgoglio, che nessuno avrebbe dovuto metterci mano, al di fuori di me. Terminato il quadro ero più che fiera di aver raggiunto un traguardo simile: sapevo che ero riuscita a superare me stessa, facendo tutto da sola. Una bella soddisfazione, insomma.https://linea20.blog/wp-content/uploads/2015/12/file0038-firma.jpgFile0038-firma2017-01-03T11:40:55+00:00monthlyhttps://linea20.blog/2015/03/18/spiel-mit-mir/https://linea20.blog/wp-content/uploads/2015/03/11071624_1068843839797993_5836876803892721751_o.jpg11071624_1068843839797993_5836876803892721751_o2017-01-03T11:35:56+00:00monthlyhttps://linea20.blog/2015/02/25/hydrangea/https://linea20.blog/wp-content/uploads/2015/02/evidenza_lisa_2.pngevidenza_Lisa_22017-01-02T21:31:07+00:00monthlyhttps://linea20.blog/2014/11/16/zinnia-yellow/https://linea20.blog/wp-content/uploads/2014/11/zinniaevidenza2.jpgZinniaevidenzahttps://linea20.blog/wp-content/uploads/2014/11/zinnia.jpgZinniaParte della splash page che aprirà "Hate Chant", un mio progetto in fase di realizzazione. 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Fondamenta San Felice viewhttps://linea20.blog/wp-content/uploads/2016/02/22-boulevard-of-santa-marta.jpg22. Boulevard of Santa Martahttps://linea20.blog/wp-content/uploads/2016/02/12-fondamenta-san-felice-view.jpg12. 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2016-12-14T00:10:35+00:00monthlyhttps://linea20.blog/2016/04/22/vampires-are-bad-guys/https://linea20.blog/wp-content/uploads/2016/04/tramonto-marghera2.jpgtramonto-marghera2https://linea20.blog/wp-content/uploads/2016/04/tramonto-marghera.jpgtramonto-marghera2016-12-14T00:05:28+00:00monthlyhttps://linea20.blog/2016/04/15/il-mare/https://linea20.blog/wp-content/uploads/2016/04/32sassi.pngil mare2016-12-14T00:02:38+00:00monthlyhttps://linea20.blog/2016/04/08/farfalla/2016-12-14T00:01:42+00:00monthlyhttps://linea20.blog/2016/03/30/vorrei-essere-come-un-albero-nel-deserto/https://linea20.blog/wp-content/uploads/2016/03/tree1.jpgTreeVorrei essere come un albero nel deserto2016-12-13T23:59:00+00:00monthlyhttps://linea20.blog/2016/03/18/forsa-papa/https://linea20.blog/wp-content/uploads/2016/03/image.jpegimage2018-03-19T15:17:29+00:00monthlyhttps://linea20.blog/2016/03/10/guerra-e-trementina/https://linea20.blog/wp-content/uploads/2016/03/black-and-white-hand-vintage-numbers.jpgclock"Si può dire che tutto ruoti intorno a un orologio rotto[...]"2016-12-13T23:54:04+00:00monthlyhttps://linea20.blog/2016/02/19/i-colori-del-cielo/https://linea20.blog/wp-content/uploads/2016/02/onda-descrizione.pngGrafico di un segnale luminosohttps://linea20.blog/wp-content/uploads/2016/02/spettro-della-luce.pngSpettro luminosoSpettro luminosohttps://linea20.blog/wp-content/uploads/2016/02/prisma.pngprismahttps://linea20.blog/wp-content/uploads/2016/02/lake-430508_1920.jpgLake and the sky2016-12-13T23:50:32+00:00monthlyhttps://linea20.blog/2016/02/15/in-ricordo-di-giulio-regeni/https://linea20.blog/wp-content/uploads/2016/02/giulio-regeni1.jpgGiulio RegeniGiulio Regeni - quotidiano La 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Warsawhttps://linea20.blog/wp-content/uploads/2015/10/museum3.jpgUnited States Holocaust Museum, Warsaw2016-12-13T23:25:05+00:00monthlyhttps://linea20.blog/2016/01/13/1-essere-di-libera-costituzione-la-liberta-di-manifestazione-del-pensiero/https://linea20.blog/wp-content/uploads/2016/01/doc0800.jpgManin alla presenza del popolo proclama la "Repubblica di Venezia" - 22 marzo 1848https://linea20.blog/wp-content/uploads/2016/01/senza-titolo.pngSenza titolo2016-12-13T23:24:08+00:00monthlyhttps://linea20.blog/2016/01/11/stories-about-genocides-bh-edition/https://linea20.blog/wp-content/uploads/2016/01/44561_427960338430_5353700_n.jpgSrebrenica Genocide Memorialhttps://linea20.blog/wp-content/uploads/2016/01/srebrenica.jpg2016-12-13T23:23:26+00:00monthlyhttps://linea20.blog/2015/12/04/0-essere-di-libera-costituzione/https://linea20.blog/wp-content/uploads/2015/12/pic1703o-e1449229252436.jpg"La libertà che guida il popolo" di Eugene Delacroix2016-12-13T23:15:53+00:00monthlyhttps://linea20.blog/2015/12/02/multiculturalismo-e-integrazione-dove-abbiamo-sbagliato/https://linea20.blog/wp-content/uploads/2015/12/multiculturalismo1.jpgmulticulturalismo2016-12-13T23:15:14+00:00monthlyhttps://linea20.blog/2015/12/01/bram-stoker-e-dracula-il-perturbante-vampiro-nella-londra-vittoriana/https://linea20.blog/wp-content/uploads/2015/12/12334093_1167445876618041_401245069_o.jpg2016-12-13T23:13:07+00:00monthlyhttps://linea20.blog/2015/11/30/olivia-bee-kids-in-love-2/https://linea20.blog/wp-content/uploads/2015/11/softest-summer-double-rainbow-2012.jpghttps://linea20.blog/wp-content/uploads/2015/11/untitled-t-shirt-weather-heaven-2013.jpgUntitled (T-Shirt Weather Heaven), 2013Untitled (T-Shirt Weather Heaven), 2013https://linea20.blog/wp-content/uploads/2015/11/untitled-liam-2011.jpgUntitled (Liam), 2011Untitled (Liam), 2011https://linea20.blog/wp-content/uploads/2015/11/untitled-fifteen-forever-2010.jpgUntitled (Fifteen Forever), 2010Untitled (Fifteen Forever), 2010https://linea20.blog/wp-content/uploads/2015/11/running-away-lightly-magic-hour-2012.jpgRunning Away Lightly :: Magic Hour, 2012Running Away Lightly // Magic Hour, 2012https://linea20.blog/wp-content/uploads/2015/11/runing-water-2013.jpgRuning Water, 2013Running Water, 2013https://linea20.blog/wp-content/uploads/2015/11/rivkah-2013.jpgRivkah, 2013Rivkah, 2013https://linea20.blog/wp-content/uploads/2015/11/pre-kiss-2010.jpegPre-Kiss, 2010Pre-Kiss, 2010https://linea20.blog/wp-content/uploads/2015/11/max-jumped-off-a-train-2012.jpgMax Jumped Off a Train, 2012Max Jumped Off a Train, 2012https://linea20.blog/wp-content/uploads/2015/11/lovers-2013.jpgLovers, 2013Lovers, 20132016-12-13T23:12:17+00:00monthlyhttps://linea20.blog/2015/11/27/buoni-motivi-per-cantare-la-marsigliese/https://linea20.blog/wp-content/uploads/2015/11/france2.jpgfrancehttps://linea20.blog/wp-content/uploads/2015/11/unknown-storming-11287757.jpghttps://linea20.blog/wp-content/uploads/2015/11/bastiglia1.pnghttps://linea20.blog/wp-content/uploads/2015/11/bastiglia-e1448635980764.pnghttps://linea20.blog/wp-content/uploads/2015/11/senza-titolo1.png2016-12-13T23:11:48+00:00monthlyhttps://linea20.blog/2015/11/23/expo-2015-israele-non-e-la-facciata-che-fa-il-padiglione/https://linea20.blog/wp-content/uploads/2015/11/img_6816.jpg2016-12-13T23:10:24+00:00monthlyhttps://linea20.blog/2015/11/16/vlad-dracul-indovina-chi-impalo-a-cena/https://linea20.blog/wp-content/uploads/2015/11/image5.jpegimagehttps://linea20.blog/wp-content/uploads/2015/11/image.jpegimage2016-12-13T23:06:50+00:00monthlyhttps://linea20.blog/2015/11/13/expo-arte-cibo-e-tecnologia-da-tutto-il-mondo/https://linea20.blog/wp-content/uploads/2015/11/img_8885.jpghttps://linea20.blog/wp-content/uploads/2015/11/dscn6397.jpghttps://linea20.blog/wp-content/uploads/2015/11/dscn6384-e1447452562205.jpghttps://linea20.blog/wp-content/uploads/2015/11/dscn6376.jpghttps://linea20.blog/wp-content/uploads/2015/11/dscn6368.jpgDSCN6368https://linea20.blog/wp-content/uploads/2015/11/12244323_970269836373832_6151966987344600851_o.jpg2016-12-13T23:06:16+00:00monthlyhttps://linea20.blog/2015/11/10/il-falso-del-fuori-scala-come-la-macrofotografia-non-e-realta/https://linea20.blog/wp-content/uploads/2015/11/20150228_161514.jpgFoto di Pietro Gozzihttps://linea20.blog/wp-content/uploads/2015/11/20150228_160803.jpgFoto di Pietro Gozzihttps://linea20.blog/wp-content/uploads/2015/11/20150228_160846.jpgFoto di Pietro Gozzihttps://linea20.blog/wp-content/uploads/2015/11/clip_image002-e1447155102976.jpgFoto di Pietro Gozzi2016-12-13T23:05:06+00:00monthlyhttps://linea20.blog/2015/11/03/mille-modi-di-essere-offeso-niccolo-fabi/https://linea20.blog/wp-content/uploads/2015/11/niccolc3b2_fabi_-_trento_2012_021-e1446569412246.jpg2016-12-13T23:01:01+00:00monthlyhttps://linea20.blog/2015/11/02/lindia-agli-occhi-di-un-flaneur-pier-paolo-pasolini/https://linea20.blog/wp-content/uploads/2015/10/14520827293_fe158024d5_b.jpg14520827293_fe158024d5_b2016-12-13T23:00:40+00:00monthlyhttps://linea20.blog/2015/10/23/riapprendiamoci-il-post-apocalittico/https://linea20.blog/wp-content/uploads/2015/10/unnamed.jpg2016-12-13T22:57:52+00:00monthlyhttps://linea20.blog/2015/10/08/nazim-hikmet-quando-lamore-trascende-ogni-forma-e-confine/https://linea20.blog/wp-content/uploads/2015/10/img_3935.jpgIMG_3935https://linea20.blog/wp-content/uploads/2015/10/img_3939-2-e1444337365904.jpgFoto di copertina della raccolta: Nâzim Hikmet Poesie d’amore, Mondadori (2002).https://linea20.blog/wp-content/uploads/2015/10/1.jpgFoto di 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